Rādhā-sambaddha-mantra-vyākhyā
Rādhā-Related Mantras Explained
एषा नवाक्षरी नित्या भेरुण्डा सर्वसिद्धिदा । प्रणवं ठद्वयं त्यक्त्वा मध्यस्थैः षड्भिरक्षरैः ॥ ९० ॥
eṣā navākṣarī nityā bheruṇḍā sarvasiddhidā | praṇavaṃ ṭhadvayaṃ tyaktvā madhyasthaiḥ ṣaḍbhirakṣaraiḥ || 90 ||
هذه هي المانترا الأزلية ذات التسعة مقاطع، وتُدعى «بهيرونْدا»، واهبةَ جميع السِّدّهيات. ينبغي تركُ البرَنَفَة (Oṁ) وتركُ زوجِ المقطعين «ṭha»، وتكوينُها من المقاطع الستة الواقعة في الوسط.
Sanatkumara (teaching Narada in a technical/mantra-vidya context)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: shanta
It highlights mantra-śāstra principles: the power of a specific navākṣarī mantra (Bheruṇḍā) and how siddhi is linked to precise akṣara (syllable) arrangement and recitation rules.
Indirectly: it frames disciplined mantra-japa as a supporting limb to devotion—showing that bhakti-oriented practice in the Purāṇic tradition often includes exact, reverent handling of sacred sound.
Śikṣā (phonetics) and related mantra-formation rules: identifying syllable counts (navākṣarī), specifying omissions (praṇava, ṭhadvaya), and emphasizing correct akṣara placement for effective japa.