Narada Purana — Purva Bhaga, Shloka 9
The Description of the Four Durgā Mantras
ध्यात्वैवं प्रजपेल्लक्षचतुष्कं तद्दशांशतः । पालाशैर्विल्वजैर्वापि जुहुयात्कुसुमैः फलैः ॥ ९ ॥
dhyātvaivaṃ prajapellakṣacatuṣkaṃ taddaśāṃśataḥ | pālāśairvilvajairvāpi juhuyātkusumaiḥ phalaiḥ || 9 ||
بعد التأمل بهذه الطريقة، يجب على المرء أداء الجابا بمقدار أربعة لاك (400,000 تكرار)؛ ثم، كعشر ذلك العدد، يجب تقديم القرابين في النار باستخدام خشب البلاش أو البيلفا، أو بالزهور والفواكه.
Narada (teaching in a technical/ritual context, traditionally within Narada–Sanatkumara dialogue)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
FAQs
It links inner contemplation (dhyāna) with disciplined mantra practice (japa) and its ritual sealing through homa, showing that realization and purification are strengthened when meditation, repetition, and offering are integrated.
Even though the verse is technical, it expresses bhakti through sustained remembrance (japa after dhyāna) and devotional offering (homa with auspicious substances like bilva, flowers, and fruits), making worship continuous in thought, speech, and action.
It highlights kalpa-style ritual procedure: prescribed japa counts, the dashāṃśa (one-tenth) rule for homa relative to japa, and acceptable offering materials—core practical know-how of Vedic ritual science.