The Description of the Four Durgā Mantras
आकर्षणीं हृदि पुनः सर्वांतभृगुसंस्थिताम् । संमोहनीं क्रमादेवं बाणन्यासोऽयमीरितः ॥ ५४ ॥
ākarṣaṇīṃ hṛdi punaḥ sarvāṃtabhṛgusaṃsthitām | saṃmohanīṃ kramādevaṃ bāṇanyāso'yamīritaḥ || 54 ||
ثمّ تُوضَعُ آكَرْشَني (Ākarṣaṇī) مرةً أخرى في القلب، وتُوضَعُ سَمّوهَني (Saṃmohanī) القاطنةُ في جميع النهايات في موضع «بهṛغو» (bhṛgu). وهكذا، على الترتيب، شُرِحَت طريقةُ بانا-نياسا (bāṇa-nyāsa).
Narada (in instruction mode within a technical Vedanga/ritual-nyasa context)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It codifies a precise inner-ritual (nyāsa) where specific mantra-śaktis are ‘installed’ in prescribed bodily loci, aiming to align the practitioner’s body-mind as a consecrated field for mantra-siddhi.
Though technical, nyāsa functions as devotional consecration: the devotee internalizes sacred powers in the heart and limbs, treating the body as a temple and supporting focused remembrance during worship.
It highlights applied ritual science—mantra-viniyoga and nyāsa-krama (procedural sequencing and placement terminology), a technical discipline associated with authoritative liturgical method rather than narrative theology.