The Exposition of the Krishna Mantra (Kṛṣṇa-mantra-prakāśa): Nyāsa, Dhyāna, Worship, Yantra, and Prayoga
मूलेन पुटितां चैव मातृकां विन्यसेत्क्रमात् । तृचं न मातृकावर्णान्पूर्वं तत्तत्स्थले सुधीः ॥ ३६ ॥
mūlena puṭitāṃ caiva mātṛkāṃ vinyasetkramāt | tṛcaṃ na mātṛkāvarṇānpūrvaṃ tattatsthale sudhīḥ || 36 ||
ينبغي للسالك الحكيم أن يضع على الترتيب حروف الماتṛكā (Mātṛkā) بنِياسا، وكلُّ حرفٍ مُغلَّفٌ ومحروسٌ بالمانترا الجذرية. ولا يضع أولًا الأبيات الثلاث من ṛc، بل يثبت مقاطع الماتṛكā في مواضعها الخاصة أولًا.
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It emphasizes disciplined sequence in mantra-sādhana: first stabilizing and sanctifying the practitioner through Mātṛkā-nyāsa protected by the mūla-mantra, so the later recitation of Vedic verses becomes effective and properly grounded.
While technical, it supports bhakti-oriented worship by insisting on correct ritual order and purity of practice—treating mantra and sound as sacred limbs of worship, undertaken with attentiveness and reverence.
It highlights procedural discipline in mantra application (nyāsa/vinyāsa) and the correct sequencing of syllables and verses—an applied aspect of Śikṣā (phonetics) and ritual methodology within the text’s technical teachings.