The Description of the Worship of Rāma and Others
Rāmādi-pūjā-vidhāna
रामवद्यजनं चास्य सर्वसिद्धिप्रदो ह्ययम् । साकल्यं रामपूजाया यदीच्छेन्नियतं नरः ॥ १४६ ॥
rāmavadyajanaṃ cāsya sarvasiddhiprado hyayam | sākalyaṃ rāmapūjāyā yadīcchenniyataṃ naraḥ || 146 ||
إن تلاوة هذا النشيد في مدح راما حقًّا تمنح كلَّ سِدْهيٍّ وكلَّ نيلٍ. فمن كان منضبطًا وأراد الثمرة الكاملة لعبادة راما، فليواظب على ذلك على الدوام.
Sanatkumara (teaching Narada in the Vedanga/ritual-technical section)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It states that disciplined, regular recitation of a Rāma-praise text functions as a complete support to Rāma-pūjā, yielding ‘sarva-siddhi’—the full range of desired spiritual and worldly attainments—when performed with niyama (rule-bound devotion).
It frames bhakti as steady practice: praising and remembering Rāma through regulated recitation is presented as a direct devotional limb that perfects worship, emphasizing consistency (niyata) over occasional effort.
It highlights ritual discipline (niyama) and the technical efficacy of recitation/japa as a structured practice—aligned with Vedanga-style attention to correct, regular performance in worship.