The Description of the Worship of Rāma and Others
Rāmādi-pūjā-vidhāna
ध्यात्वैवं प्रजपेद्वर्णलक्षं मंत्री दशांशतः । मध्वाक्तैः पायसैर्हुत्वा रामपीठे प्रपूजयेत ॥ १४५ ॥
dhyātvaivaṃ prajapedvarṇalakṣaṃ maṃtrī daśāṃśataḥ | madhvāktaiḥ pāyasairhutvā rāmapīṭhe prapūjayeta || 145 ||
بعد أن يتأمّل هكذا، على السالك أن يَجْبَ المانترا حتى يبلغ مجموعها مئة ألف مقطع؛ ثم يقدّم عُشر ذلك قرابينَ في الهُوما من پايَسا (أرزّ بالحليب) ممزوجٍ بالعسل، ثم يعبد (الرب) على نحوٍ لائق فوق مقعد راما (Rāma-pīṭha).
Narada (teaching ritual procedure in the technical/vidhi context to the Sanatkumara tradition)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It presents a complete sādhana sequence—dhyāna (meditation), varṇa-lakṣa japa (disciplined mantra-recitation), daśāṁśa homa (a tenth-part oblation), and final worship—showing how inner focus is sealed by sacrificial offering and formal devotion.
Bhakti here is expressed as structured worship of Rāma: remembrance (dhyāna), repeated divine name/mantra (japa), and reverential offering (homa), culminating in pūjā on the Rāma-pīṭha—devotion enacted through both heart and rite.
It highlights ritual-technical discipline: counting mantra-recitation by syllables (varṇa), the daśāṁśa rule for homa after japa, and the specified havis (pāyasa with honey), reflecting procedural precision typical of Kalpa-oriented practice.