The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
त्रिविक्रमः खड्गपाणिर्नैरृत्यां ज्वलनप्रभः । वायव्यां माधवो वज्री तरुणादित्यसन्निभः ॥ १२२ ॥
trivikramaḥ khaḍgapāṇirnairṛtyāṃ jvalanaprabhaḥ | vāyavyāṃ mādhavo vajrī taruṇādityasannibhaḥ || 122 ||
في الجنوب الغربي (نيرِتْيَة) تريفِكرَما، بيده السيف، متوهّجٌ كالنار المتّقدة. وفي الشمال الغربي (فايَفْيَة) مَادهافا، حاملُ الفَجْرَة (الڤَجْرَ/الڤَجْرا)، كالشمس عند طلوعها الفتيّ.
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: vira
It assigns specific Vishnu-forms to directions, guiding dhyāna and temple/altar orientation so that worship aligns with cosmic order (dik) and the deity’s prescribed attributes.
Bhakti here is practiced through disciplined visualization—remembering Vishnu as Trivikrama and Mādhava with their weapons and radiance—so the mind becomes steady, reverent, and focused in worship.
A technical, applied use of directional science (dik-vicāra) relevant to ritual layout and sacred visualization, often paired with jyotiṣa/vāstu-style orientation in worship practice.