The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
उत्तरे हलधृग्विष्णुः पद्मकिञ्जल्कमसन्निभः । आग्नेय्यामरविन्दाक्षो मुसली मधुसूदनः ॥ १२१ ॥
uttare haladhṛgviṣṇuḥ padmakiñjalkamasannibhaḥ | āgneyyāmaravindākṣo musalī madhusūdanaḥ || 121 ||
في جهة الشمال يُتأمَّل في فيشنو بوصفه هَلَذْرِك، حاملَ المحراث، بلونٍ كغبار لقاح اللوتس. وفي الجنوب الشرقي (آغنيَة) هو ذو العيون اللوتسية، مدهوسودانا، موسَلي حاملُ المِدَقّ، قاتلُ مَدھو.
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It teaches directional contemplation of Viṣṇu through specific names, weapons, and color-imagery, helping the practitioner stabilize dhyāna and align ritual space with sacred symbolism.
Bhakti is expressed as focused remembrance (smaraṇa) of Viṣṇu through his epithets—Haladhṛk, Aravindākṣa, Madhusūdana—so the devotee’s mind anchors in his qualities while worshiping.
It reflects a technical, ritual-application framework: using dik (direction) assignments and deity-forms for structured visualization in pūjā/nyāsa, a common method in applied sacred sciences connected with kalpa-style procedure.