Mahāviṣṇu-Mantras: Aṣṭākṣarī, Sudarśana-Astra, Nyāsa Systems, Āvaraṇa-Pūjā, and Prayogas
निर्विषीकरणे ध्यायेद्विष्णुं गरुडवाहनम् । अशोकफलके तार्क्ष्यमालिख्याशोकसंहतौ ॥ ५९ ॥
nirviṣīkaraṇe dhyāyedviṣṇuṃ garuḍavāhanam | aśokaphalake tārkṣyamālikhyāśokasaṃhatau || 59 ||
لإبطال السُّمّ، فليتأمّل المرءُ في فيشنو (Viṣṇu) ربًّا راكبًا غارودا؛ وعلى لوحٍ من خشب الأشوكا فليَرسم تَارْكْشْيَا (Tārkṣya/غارودا)، ثم ليَربطه بعنقودٍ أو إكليلٍ من أزهار الأشوكا أو أوراقها.
Sanatkumara (in dialogue responding to Narada’s inquiries on technical/ritual applications)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It presents Viṣṇu—specifically as Garuḍavāhana—as the divine antidote to विष (poison), showing that inner dhyāna and sacred symbolism together function as protective dharma in times of danger.
Bhakti appears here as focused remembrance (dhyāna) of Viṣṇu; the devotee turns to the Lord’s protective form (with Garuḍa) rather than relying only on material measures, integrating faith with disciplined practice.
A practical prayoga is taught: combining meditative invocation with a prescribed material support (drawing Garuḍa on an aśoka tablet and binding with aśoka), reflecting applied ritual procedure typical of technical sections.