Śeṣoditya-Sūrya-nyāsa, Soma-sādhana, Graha-pūjā, and Bhauma-vrata-vidhi
ह्रीं रमामध्यगामष्टौ वर्णांस्तारादिकान्न्यसेत् । मूर्द्धास्यकंठहृत्कुक्षिनाभिलिंगगुदेषु च ॥ ९ ॥
hrīṃ ramāmadhyagāmaṣṭau varṇāṃstārādikānnyaset | mūrddhāsyakaṃṭhahṛtkukṣinābhiliṃgagudeṣu ca || 9 ||
وبالنْياسا يُثبّت المقاطع الثمانية التي تبدأ بالتارا (oṁ) وتتوسطها راما (Śrī/لاكشمي)، فيضعها على الرأس، والفم، والحلق، والقلب، والبطن، والسرة، والعضو التناسلي، والشرج.
Sanatkumara (in instruction to Narada on mantra-nyāsa procedure)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It teaches nyāsa—ritually installing sacred syllables on key bodily centers—so the practitioner’s body becomes a consecrated support (ādhāra) for mantra-japa and worship, aligning speech, breath, and awareness with the mantra’s power.
By prescribing mantra-vidhi connected with Ramā (Śrī) and Tārā (oṁ), it frames devotion as disciplined upāsanā: the devotee prepares the body-mind as a temple before engaging in japa and pūjā, making bhakti steady and focused.
It highlights applied ritual science—mantra-vinyāsa/nyāsa—using precise placements and syllable-count (aṣṭa-varṇa), reflecting technical procedure akin to Śikṣā (mantric articulation) and Kalpa (ritual method).