Narada Purana — Purva Bhaga, Shloka 52
The Account of the Ekādaśī Vow Observed Throughout the Twelve Months
ऋग्यजुःसाममंत्रैश्च वाद्यैर्नानाविधैरपि । द्राक्षेक्षुदाडिमैश्चान्यै रंभाश्रृंगाटकादिभिः ॥ ५२ ॥
ṛgyajuḥsāmamaṃtraiśca vādyairnānāvidhairapi | drākṣekṣudāḍimaiścānyai raṃbhāśrṛṃgāṭakādibhiḥ || 52 ||
بمانترات الريغ والياجور والساما من الفيدا، ومع شتّى أنواع الآلات الموسيقية؛ وبقرابين من العنب وقصب السكر والرمان، وغيرها مثل الموز وكستناء الماء وما شابه ذلك.
Narada (within the Narada–Sanatkumara dialogue framework typical of this section)
Vrata: Bodhinī-vrata (contextual sequence)
Primary Rasa: bhakti
Secondary Rasa: adbhuta
FAQs
It highlights the integrated form of worship—Vedic mantra-recitation (śruti-based sanctity), auspicious music (maṅgala), and pure offerings (naivedya)—as a complete devotional presentation to the deity.
Bhakti here is expressed as reverent service (upacāra): praising with Vedic mantras, creating a sacred atmosphere with music, and offering wholesome fruits—devotion made tangible through disciplined, joyful worship.
The verse implies correct mantra-usage from the three Vedas, which traditionally relies on Śikṣā (proper pronunciation) and Kalpa (ritual procedure) to apply mantra and offerings appropriately in worship.