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Shloka 15

Adhyāya 62: Sañjaya’s Admonition to Dhṛtarāṣṭra on Rāja-dharma and Consequence

भक्ष्यानज्नपाननिचया: शुशुभुस्त्वन्नपर्वता: । घृतह्दा: सूपकूपा: दधिफेना गुडोदका:

bhakṣyānajñapānanicayāḥ śuśubhus tv annaparvatāḥ | ghṛtahradāḥ sūpakūpāḥ dadhiphenā guḍodakāḥ ||

قال نارَدَة: «وتألّقت أكوامُ المآكل والمشارب كأنها جبالٌ من الطعام. وكانت هناك بحيراتٌ من السمن المصفّى (الغي)، وآبارٌ من الحساء، وزَبَدُ اللبن الرائب، ومياهٌ مُحلّاةٌ بسكّر القصب المُجمَّد (الجاغري).»

भक्ष्य-अन्न-पान-निचयाःheaps/collections of eatables, food and drinks
भक्ष्य-अन्न-पान-निचयाः:
Karta
TypeNoun
Rootनिचय (भक्ष्य, अन्न, पान)
FormMasculine, Nominative, Plural
शुशुभुःshone, were splendid
शुशुभुः:
Karta
TypeVerb
Rootशुभ्
FormPerfect (Liṭ), 3rd, Plural
तुindeed, and
तु:
TypeIndeclinable
Rootतु
अन्न-पर्वताःmountains of food
अन्न-पर्वताः:
Karta
TypeNoun
Rootपर्वत (अन्न)
FormMasculine, Nominative, Plural
घृत-ह्रदाःlakes of ghee
घृत-ह्रदाः:
Karta
TypeNoun
Rootह्रद (घृत)
FormMasculine, Nominative, Plural
सूप-कूपाःwells of soup/broth
सूप-कूपाः:
Karta
TypeNoun
Rootकूप (सूप)
FormMasculine, Nominative, Plural
दधि-फेनाःfoams of curd/yogurt
दधि-फेनाः:
Karta
TypeNoun
Rootफेन (दधि)
FormMasculine, Nominative, Plural
गुड-उदकाःwaters (sweet drinks) of jaggery
गुड-उदकाः:
Karta
TypeNoun
Rootउदक (गुड)
FormMasculine, Nominative, Plural

नारद उवाच

N
Nārada
M
mountains of food (annaparvatāḥ)
L
lakes of ghee (ghṛtahradāḥ)
W
wells of soup (sūpakūpāḥ)
C
curd-foam (dadhiphenāḥ)
J
jaggery-water (guḍodakāḥ)

Educational Q&A

The verse uses hyperbolic imagery of limitless provisions—food-mountains and ghee-lakes—to convey a wondrous, otherworldly abundance. In the war-epic context, such descriptions often function as portents or visionary scenes, reminding listeners that appearances can be extraordinary yet transient, and that discernment is needed amid spectacle.

Nārada is describing a marvelous scene where vast quantities of food and drink seem to manifest: heaps of delicacies, mountains of provisions, lakes of ghee, wells of soup, froth of curds, and sweetened waters. The focus is on vivid sensory detail to portray an uncanny abundance within the unfolding events of Droṇa Parva.