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Shloka 70

Adhyaya 17: लिङ्गोद्भव—ब्रह्मविष्ण्वहङ्कार-शमनं, ओंकार-प्रादुर्भावः, मन्त्र-तत्त्वं च

एवमोमोमिति प्रोक्तम् इत्याहुर्यजुषां वराः यजुषां वचनं श्रुत्वा ऋचः सामानि सादरम्

evamomomiti proktam ityāhuryajuṣāṃ varāḥ yajuṣāṃ vacanaṃ śrutvā ṛcaḥ sāmāni sādaram

«هكذا قيل: أوم، أوم»، قال خيارُ مرتّلي اليَجُس. فلمّا سمعوا لفظَ اليَجُس، أجابت أناشيدُ الرِّك وتراتيلُ السّامان باتّفاقٍ مهيب، متناغمةً في تسبيحِ الباتي الأعلى—شيفا.

evamthus
evam:
om om iti‘Om, Om’—the praṇava repeated
om om iti:
proktamis proclaimed/declared
proktam:
itithus
iti:
āhuḥthey said
āhuḥ:
yajuṣāmof the Yajus (Yajurveda/its reciters)
yajuṣām:
varāḥthe best/excellent ones
varāḥ:
yajuṣām vacanamthe utterance/speech of the Yajus
yajuṣām vacanam:
śrutvāhaving heard
śrutvā:
ṛcaḥthe Ṛks (Ṛgvedic verses/reciters)
ṛcaḥ:
sāmānithe Sāmans (Sāmavedic chants/reciters)
sāmāni:
sādaramrespectfully, with reverence.
sādaram:

Suta Goswami (narrating the Vedic acclamation around the Linga’s manifestation)

O
Om (Praṇava)
Y
Yajurveda
R
Rigveda
S
Samaveda
S
Shiva

FAQs

It shows that at the Linga’s manifestation, Vedic currents converge on the Praṇava—‘Om’—indicating that Linga-pūjā is rooted in Vedic reverence and culminates in one supreme object of worship: Śiva as Pati.

By portraying Ṛk and Sāman harmonizing after the Yajus’ proclamation of Om, the verse points to Shiva-tattva as the unifying ground of all Vedic sound—beyond sectarian division—where mantra resolves into the Supreme Lord, Pati.

Praṇava-japa and Vedic recitation in coordinated worship: the repeated ‘Om’ functions as a mantra-key that aligns speech and mind toward Śiva, supporting inner Pāśupata orientation (turning the pashu toward Pati through mantra).