Adhyaya 17: लिङ्गोद्भव—ब्रह्मविष्ण्वहङ्कार-शमनं, ओंकार-प्रादुर्भावः, मन्त्र-तत्त्वं च
तस्मादण्डोद्भवो जज्ञे त्व् अकाराख्यश्चतुर्मुखः स स्रष्टा सर्वलोकानां स एव त्रिविधः प्रभुः
tasmādaṇḍodbhavo jajñe tv akārākhyaścaturmukhaḥ sa sraṣṭā sarvalokānāṃ sa eva trividhaḥ prabhuḥ
ومن ذلك المصدر وُلد ذو الوجوه الأربعة، الخارج من البيضة الكونية والمسمّى «أ-كارا». فهو خالقُ جميع العوالم، وهو بعينه الربّ الذي يتجلّى على نحوٍ ثلاثي (الإظهار، والحفظ، والارتداد/الاسترجاع)، وكلّ ذلك تحت سيادة پَتي، شِيفا.
Suta Goswami (narrating the cosmogony within the Linga Purana framework)
It frames Brahmā’s creative power as derivative—arising from a higher cosmic source—supporting Liṅga theology where the visible universe and its creator function under the supremacy of Pati (Śiva), the ultimate ground signified by the Liṅga.
By implying a threefold lordship behind cosmic functions, it points to Śiva-tattva as the sovereign principle that empowers creation, maintenance, and dissolution, while remaining the transcendent Pati over all tattvas and beings (paśus).
The takeaway aligns with Pāśupata orientation: contemplative recognition that all agency—including Brahmā’s sṛṣṭi—is dependent on Pati; such discernment (viveka) supports Liṅga-upāsanā and inner worship that loosens pāśa (bondage).