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Agni Purana — Yoga & Brahma-vidya, Shloka 23

Chapter 371 — Yama-Niyama and Praṇava-Upāsanā (Oṅkāra) as Brahma-vidyā

तिस्रो मात्रास्त्रयो वेदाः लोका भूरादयो गुणाः जाग्रत्स्वप्नः सुषुप्तिश् च ब्रह्मविष्णुमहेश्वराः

tisro mātrāstrayo vedāḥ lokā bhūrādayo guṇāḥ jāgratsvapnaḥ suṣuptiś ca brahmaviṣṇumaheśvarāḥ

هناك ثلاث ماترا، وثلاثة فيدات، والعوالم التي تبدأ بـ Bhūḥ؛ (وهناك) الغونات الثلاث؛ وحالات اليقظة والحلم والنوم العميق؛ وكذلك الثالوث الإلهي: براهما، فيشنو، وماهيشڤارا.

tisraḥthree
tisraḥ:
Karta (कर्ता)
TypeAdjective
Roottri (संख्याप्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, बहुवचन; संख्यावाचक विशेषण
mātrāḥmoras/syllabic measures
mātrāḥ:
Karta (कर्ता)
TypeNoun
Rootmātrā (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, बहुवचन
trayaḥthree
trayaḥ:
Karta (कर्ता)
TypeAdjective
Roottri (संख्याप्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, बहुवचन; संख्यावाचक विशेषण
vedāḥVedas
vedāḥ:
Karta (कर्ता)
TypeNoun
Rootveda (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, बहुवचन
lokāḥworlds
lokāḥ:
Karta (कर्ता)
TypeNoun
Rootloka (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, बहुवचन
bhū-ādayaḥbeginning with Bhū (Bhū, Bhuvaḥ, Svaḥ)
bhū-ādayaḥ:
Karta (कर्ता)
TypeNoun
Rootbhū (प्रातिपदिक) + ādi (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, बहुवचन; समासः—तत्पुरुष (भूः आदि येषाम्)
guṇāḥqualities/guṇas
guṇāḥ:
Karta (कर्ता)
TypeNoun
Rootguṇa (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, बहुवचन
jāgrat-svapnaḥwaking and dream (states)
jāgrat-svapnaḥ:
Karta (कर्ता)
TypeNoun
Rootjāgrat (प्रातिपदिक) + svapna (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, द्विवचनार्थे एकवचन-रूप (collective dvandva); समासः—द्वन्द्व (जाग्रत् च स्वप्नः च)
suṣuptiḥdeep sleep
suṣuptiḥ:
Karta (कर्ता)
TypeNoun
Rootsuṣupti (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन
caand
ca:
Sambandha (सम्बन्ध/निपात)
TypeIndeclinable
Rootca (अव्यय)
Formअव्यय; समुच्चय (conjunction)
brahma-viṣṇu-maheśvarāḥBrahmā, Viṣṇu, and Maheśvara
brahma-viṣṇu-maheśvarāḥ:
Karta (कर्ता)
TypeNoun
Rootbrahman (प्रातिपदिक) + viṣṇu (प्रातिपदिक) + maheśvara (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, बहुवचन; समासः—द्वन्द्व (ब्रह्मा च विष्णुः च महेश्वरः च)

Lord Agni (narrating the Agni Purana’s doctrinal summary to Vasiṣṭha in the standard frame)

Vidya Category: {"primary_vidya":"Philosophy","secondary_vidya":"Mantra","practical_application":"Use triadic correspondences (matras, Vedas, lokas, gunas, avasthas, deva-triad) as a contemplative map for pranava-meditation and tattva-reflection.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"List","entry_title":"Triadic Correspondences (Matra–Veda–Loka–Guna–Avastha–Deva)","lookup_keywords":["traya","matra-traya","guna-traya","avastha-traya","trimurti"],"quick_summary":"The verse enumerates multiple triads—phonetic, cosmological, psychological, and theological—linking them as correspondences. It functions as a mnemonic for integrating mantra (Oṃ) with metaphysics and experience."}

Concept: Microcosm–macrocosm mapping: sound-structure (matra) mirrors Veda, worlds, qualities, states of consciousness, and divine functions.

Application: Meditate on A-U-M as mapping to waking-dream-sleep and to guna-traya; use the mapping to stabilize awareness and reduce fragmentation of mind.

Khanda Section: Vedanta / Tattva-Sankhya (Triads and Correspondences; Puranic metaphysics)

Primary Rasa: adbhuta

Secondary Rasa: shanta

Type: Cosmology

Visual Art Cues: {"scene_description":"A triadic mandala: A-U-M at center, surrounded by rings showing three Vedas, three worlds (Bhur-Bhuvah-Svah), three gunas, three states (waking/dream/deep sleep), and the Trimurti.","kerala_mural_prompt":"Kerala mural mandala composition, central Oṃ, threefold rings with symbolic icons (Veda manuscripts, world-spheres, guna colors, sleeping/ dreaming/ waking figures, Trimurti), bold outlines, sacred geometry feel","tanjore_prompt":"Tanjore painting, embossed gold central Oṃ, three concentric triad panels with jeweled ornamentation, Trimurti in small medallions, rich saturated palette, devotional-cosmological diagram","mysore_prompt":"Mysore style, clean didactic chart-like mandala, labeled triads in Sanskrit, subtle shading, emphasis on clarity and correspondence mapping","mughal_miniature_prompt":"Mughal miniature, cosmological diagram on a folio held by a scholar, delicate triad vignettes around Oṃ, fine brushwork, restrained colors with gold highlights"}

Audio Atmosphere: {"recitation_mood":"contemplative","suggested_raga":"Kedar","pace":"medium","voice_tone":"contemplative"}

Sandhi Resolution Notes: mātrās trayaḥ = mātrāḥ trayaḥ (visarga sandhi); bhūrādayaḥ = bhū-ādayaḥ; jāgratsvapnaḥ = jāgrat-svapnaḥ (dvandva); brahmaviṣṇumaheśvarāḥ = brahma-viṣṇu-maheśvarāḥ.

Related Themes: Agni Purana: Vedanta/Tattva-sankhya discussions (same khanda); Agni Purana: Cosmology sections on loka-traya and guna-traya (elsewhere in Purana)

V
Vedas
B
Bhūḥ-Bhuvaḥ-Svaḥ
G
Guṇas
J
Jāgrat
S
Svapna
S
Suṣupti
B
Brahmā
V
Viṣṇu
M
Maheśvara (Śiva)

FAQs

It teaches a schematic mapping of key triads—mantric/phonetic measures (mātrā), Vedic revelation, cosmic realms (Bhūḥ–Bhuvaḥ–Svaḥ), psychological states, and deity-functions—used in mantra-japa and contemplative visualization to unify ritual recitation with cosmology and theology.

By compressing phonetics (mātrā), Vedic classification, cosmography, Sāṅkhya guṇas, yoga-psychology (three states), and Purāṇic theology (Trimūrti) into a single catalog, it exemplifies the Agni Purana’s cross-disciplinary, reference-style organization.

Contemplating these correspondences supports ekāgratā (one-pointedness) and a holistic view of dharma—linking speech, mind, cosmos, and deity—thereby purifying intention in worship and deepening insight into the unity underlying diverse scriptural categories.