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Agni Purana — Mantra-shastra, Shloka 9

Chapter 306 — त्रैलोक्यमोहनमन्त्राः

Mantras for Enchanting the Three Worlds

ध्यात्वामृतैर् वहिश्चान्तःसुषुम्नामार्गगामिभिः एवं शुद्धवपुः प्राणानायम्य मनुना त्रिधा

dhyātvāmṛtair vahiścāntaḥsuṣumnāmārgagāmibhiḥ evaṃ śuddhavapuḥ prāṇānāyamya manunā tridhā

بعد التأمل في تيارات الرحيق (الأمريت) السائرة إلى الخارج وإلى الداخل على مسار السوشومنَا، وبذلك يُطهَّر الجسد، ينبغي ضبط الأنفاس الحيوية (برانا) وإجراؤها ثلاث مرات مع المانترا.

dhyātvāhaving meditated
dhyātvā:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeVerb
Rootdhyai (धातु)
FormAbsolutive/Gerund (क्त्वा-प्रत्ययान्त अव्ययकृदन्त), from √ध्यै; ‘having meditated’
amṛtaiḥwith nectars/ambrosial (streams)
amṛtaiḥ:
Karaṇa (करण/Instrument)
TypeNoun
Rootamṛta (प्रातिपदिक)
FormNeuter (नपुंसकलिङ्ग), Instrumental (3rd/तृतीया), Plural (बहुवचन)
vahiḥoutward/outside
vahiḥ:
Deśa-adhikaraṇa (देशाधिकरण)
TypeIndeclinable
Rootvahiḥ (अव्यय)
FormIndeclinable adverb (अव्यय, क्रियाविशेषण)
caand
ca:
Sambandha (सम्बन्ध/connector)
TypeIndeclinable
Rootca (अव्यय)
FormConjunction/particle (समुच्चयबोधक अव्यय)
antaḥinward/inside
antaḥ:
Deśa-adhikaraṇa (देशाधिकरण)
TypeIndeclinable
Rootantaḥ (अव्यय)
FormIndeclinable adverb (अव्यय, क्रियाविशेषण)
suṣumnā-mārga-gāmibhiḥby those moving along the suṣumnā path
suṣumnā-mārga-gāmibhiḥ:
Karaṇa (करण/Instrument)
TypeAdjective
Rootsuṣumnā (प्रातिपदिक) + mārga (प्रातिपदिक) + gāmin (प्रातिपदिक)
FormMasculine/Neuter (पुं/नपुं; context-dependent), Instrumental (3rd/तृतीया), Plural (बहुवचन); तत्पुरुष-समास: ‘suṣumnāyāḥ mārgaḥ’ (genitive relation) + ‘gāmin’ = ‘going through the suṣumnā-path’
evamthus
evam:
Prakāra (प्रकार/ manner)
TypeIndeclinable
Rootevam (अव्यय)
FormIndeclinable adverb (अव्यय)
śuddha-vapuḥ(one) of purified body
śuddha-vapuḥ:
Karta (कर्ता/Subject)
TypeAdjective
Rootśuddha (प्रातिपदिक) + vapuḥ (प्रातिपदिक)
FormNeuter (नपुंसकलिङ्ग), Nominative (1st/प्रथमा), Singular (एकवचन); कर्मधारय: ‘śuddhaṃ vapuḥ yasya/śuddhaṃ vapuḥ’ = ‘pure-bodied’
prāṇānthe vital breaths
prāṇān:
Karma (कर्म/Object)
TypeNoun
Rootprāṇa (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Accusative (2nd/द्वितीया), Plural (बहुवचन)
āyamyahaving restrained
āyamya:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeVerb
Rootyam (धातु)
FormAbsolutive/Gerund (ल्यप्/य-प्रत्ययान्त अव्ययकृदन्त), from √यम् with ā- prefix; ‘having restrained/controlled’
manunāwith the mantra (manu)
manunā:
Karaṇa (करण/Instrument)
TypeNoun
Rootmanu (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Instrumental (3rd/तृतीया), Singular (एकवचन)
tridhāthreefold
tridhā:
Prakāra (प्रकार/ manner)
TypeIndeclinable
Roottridhā (अव्यय)
FormIndeclinable adverb (अव्यय), numeral-based; ‘in three ways/threefold’

Lord Agni (narrating yogic procedure, traditionally to Vasiṣṭha)

Vidya Category: {"primary_vidya":"Yoga-vidya","secondary_vidya":"Mantra","practical_application":"Pranayama with inner visualization of amrita-flow along sushumna to purify the body and steady prana; performed in three rounds with mantra support.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Amrita-dhyana with Sushumna-pranayama (tridhā-mantra)","lookup_keywords":["sushumna","amrita-dhara","pranayama","tridhā","mantra-yukta"],"quick_summary":"Visualize nectar-currents moving inward and outward through the suṣumnā, then regulate prāṇa in a threefold cycle supported by mantra to purify and stabilize the subtle body."}

Concept: Śuddhi (purification) and prāṇa-nirodha through dhyāna + mantra as a unified method.

Application: Use visualization to guide attention into the central channel, then apply measured pranayama in three rounds to deepen concentration.

Khanda Section: Yoga-vidya (Pranayama and Kundalini/Sushumna practice)

Primary Rasa: shanta

Secondary Rasa: adbhuta

Visual Art Cues: {"scene_description":"A yogin seated in meditation, visualizing luminous nectar-streams moving up and down the central channel (suṣumnā), then performing measured breath retention with mantra.","kerala_mural_prompt":"Kerala mural style, seated yogi in padmāsana, subtle body shown as glowing suṣumnā with white-gold amṛta streams flowing inward and outward, temple-like aura, flat vibrant colors, sacred geometry.","tanjore_prompt":"Tanjore painting, central yogi with ornate halo, gold-leaf highlights on the suṣumnā line and nectar droplets, stylized lotus seat, rich reds and greens, devotional yet instructional composition.","mysore_prompt":"Mysore painting, fine linework showing nāḍī diagram overlay on meditating figure, labeled suṣumnā, gentle amṛta flow, calm palette, instructional manuscript feel.","mughal_miniature_prompt":"Mughal miniature, intimate interior with a yogi on a carpet, delicate translucent depiction of inner channel as a luminous line, small calligraphic mantra panel, refined detailing."}

Audio Atmosphere: {"recitation_mood":"contemplative","suggested_raga":"Ahir Bhairav","pace":"slow","voice_tone":"instructional"}

Sandhi Resolution Notes: vahiścāntaḥsuṣumnāmārgagāmibhiḥ → vahiḥ ca antaḥ suṣumnā-mārga-gāmibhiḥ; dhyātvāmṛtaiḥ → dhyātvā amṛtaiḥ; prāṇānāyamya → prāṇān āyamya.

Related Themes: Agni Purana 306 (pranayama/kundalini context)

S
Suṣumnā
A
Amṛta (nectar)
P
Prāṇa
M
Mantra

FAQs

It teaches a yogic technique: visualize amṛta (nectar) flowing inward and outward through the Suṣumnā, then apply prāṇāyāma (regulated breath control) together with mantra, performed in a threefold manner.

Beyond myth and ritual, the Agni Purana preserves practical yoga-vidyā—subtle-body physiology (Suṣumnā), meditation (amṛta-dhyāna), and applied discipline (prāṇāyāma with mantra)—showing its coverage of technical spiritual sciences alongside other domains.

The practice is framed as a purification method: nectar-visualization and breath regulation cleanse the body and vital energies, supporting inner steadiness and fitness for higher meditation and mantra-sādhana, thereby reducing impurity-born karmic obstruction.