Previous Verse
Next Verse

Agni Purana — Mantra-shastra, Shloka 21

Chapter 306 — त्रैलोक्यमोहनमन्त्राः

Mantras for Enchanting the Three Worlds

शक्तयो ऽन्ते प्रयोज्यादौ सुरेशाद्याश् च दण्डिना पीते लक्ष्मीसरस्वत्यौ रतिप्रीतिजयाः सिताः

śaktayo 'nte prayojyādau sureśādyāś ca daṇḍinā pīte lakṣmīsarasvatyau ratiprītijayāḥ sitāḥ

تُجعل الشاكتيات (Śakti) في ختام الطقس؛ وفي البدء تُستدعى مع إندرا وسائر الآلهة، ومع حامل العصا (Daṇḍin). وتُتَصَوَّر لاكشمي وساراسفتي باللون الأصفر، ورَتي وبْريتي وجَيا باللون الأبيض.

śaktayaḥpowers / Śaktis
śaktayaḥ:
Karta (कर्ता)
TypeNoun
Rootśakti (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, बहुवचन (Nominative, Plural)
anteat the end
ante:
Adhikarana (अधिकरण)
TypeNoun
Rootanta (प्रातिपदिक)
Formपुंलिङ्ग, सप्तमी, एकवचन (Locative, Singular)
prayojyāto be applied/placed
prayojyā:
Vidhi (विधेय/आदेश)
TypeVerb
Root√yuj (धातु)
Formक्तव्य/य-प्रत्ययान्त कृदन्त (gerundive), स्त्रीलिङ्ग, प्रथमा, एकवचन; ‘to be applied/placed’
ādauat the beginning
ādau:
Adhikarana (अधिकरण)
TypeIndeclinable
Rootādi (प्रातिपदिक)
Formसप्तमी-एकवचनरूपेण अव्ययीभूत (adverbial locative)
sureśa-ādyāḥthose beginning with Sureśa (Indra etc.)
sureśa-ādyāḥ:
Karta (कर्ता)
TypeNoun
Rootsureśa (प्रातिपदिक) + ādi (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, बहुवचन; ‘beginning with Sureśa’
caand
ca:
Sambandha (सम्बन्ध/connector)
TypeIndeclinable
Rootca (अव्यय)
Formसमुच्चय-अव्यय
daṇḍināwith the staff-bearer (Daṇḍin)
daṇḍinā:
Karana (करण)
TypeNoun
Rootdaṇḍin (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया, एकवचन (Instrumental, Singular)
pīteyellow (both)
pīte:
Visheshana (विशेषण)
TypeAdjective
Rootpīta (कृदन्त/प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, द्विवचन (Nominative, Dual); विशेषण (for lakṣmī-sarasvatyau)
lakṣmī-sarasvatyauLakṣmī and Sarasvatī
lakṣmī-sarasvatyau:
Karta (कर्ता)
TypeNoun
Rootlakṣmī (प्रातिपदिक) + sarasvatī (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, द्विवचन; समासः द्वन्द्वः
rati-prīti-jayāḥRati, Prīti, and Jayā
rati-prīti-jayāḥ:
Karta (कर्ता)
TypeNoun
Rootrati (प्रातिपदिक) + prīti (प्रातिपदिक) + jayā (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, बहुवचन; समासः द्वन्द्वः
sitāḥwhite
sitāḥ:
Visheshana (विशेषण)
TypeAdjective
Rootsita (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, बहुवचन; विशेषण (for rati-prīti-jayāḥ)

Lord Agni (in dialogue tradition, instructing Sage Vasiṣṭha)

Vidya Category: {"primary_vidya":"Tantra","secondary_vidya":"Mantra","practical_application":"Ritual sequencing and dhyāna-color coding: when to apply Śaktis (end) and when to invoke deities (beginning), plus prescribed varṇa (colors) for specific goddesses for visualization and yantra/mandala painting.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"List","entry_title":"Śakti-prayoga-krama and devī-varṇa-dhyāna (Lakṣmī–Sarasvatī etc.)","lookup_keywords":["shakti prayoga","dhyana colors","Lakshmi yellow","Sarasvati yellow","Rati Priti Jaya white"],"quick_summary":"Apply Śaktis at the conclusion of the rite; invoke Indra and others at the start with Daṇḍin; visualize Lakṣmī and Sarasvatī as yellow, and Rati–Prīti–Jayā as white to stabilize the ritual imagination and iconography."}

Concept: Ritual power depends on krama (sequence) and dhyāna (precise visualization), including color as a carrier of śakti and function.

Application: In pūjā/yantra work, keep a fixed order (ādau/ante) and maintain consistent color-visualizations for each devī to avoid ‘saṅkara’ (mixing) in contemplation.

Khanda Section: Puja-vidhi / Mantra-nyasa and Shakti-invocation (Tantric-ritual sequencing)

Primary Rasa: shanta

Secondary Rasa: adbhuta

Visual Art Cues: {"scene_description":"A ritual mandala where deities are arranged by sequence; Lakṣmī and Sarasvatī painted in yellow hues; Rati, Prīti, Jayā in white; Indra and other devas invoked at the beginning; a staff-bearing Daṇḍin present as a guardian/attendant.","kerala_mural_prompt":"Kerala mural, circular mandala with deity registers; Lakṣmī and Sarasvatī in warm yellow garments; Rati–Prīti–Jayā in white; Indra with vajra; Daṇḍin holding staff; clear separation of beginning vs end zones in composition.","tanjore_prompt":"Tanjore, gold-leaf halos, Lakṣmī and Sarasvatī in yellow silk with heavy jewelry; Rati–Prīti–Jayā in white; Indra and Daṇḍin flanking; ornamental borders emphasizing ritual order.","mysore_prompt":"Mysore, didactic layout with labeled color swatches beside each devī; calm palette; Daṇḍin with staff; Indra and devas at top (beginning), Śaktis at bottom (end) to show sequencing.","mughal_miniature_prompt":"Mughal miniature manuscript page, neatly separated panels: opening invocation with Indra and Daṇḍin; concluding panel with Śaktis; subtle color symbolism—yellow for Lakṣmī/Sarasvatī, white for Rati/Prīti/Jayā; fine calligraphy notes."}

Audio Atmosphere: {"recitation_mood":"contemplative","suggested_raga":"Kalyan","pace":"slow","voice_tone":"instructional"}

Sandhi Resolution Notes: śaktayo 'nte → śaktayaḥ + ante; sureśādyāś → sureśa-ādyāḥ.

Related Themes: Agni Purāṇa 306 (Śakti-invocation and attendant-deity arrangements)

S
Shaktis
I
Indra (Sureśa)
D
Daṇḍin
L
Lakṣmī
S
Sarasvatī
R
Rati
P
Prīti
J
Jayā

FAQs

It gives a precise ritual sequence: when to apply/invoke Śaktis (at the conclusion), which deities accompany the opening invocation (Indra and others, plus Daṇḍin), and the required visualization-colors for specific goddesses.

Beyond mythic narration, it preserves procedural worship-technology—devatā-krama (ordering of deities), nyāsa timing, and dhyāna specifications—showing the Agni Purana as a compendium of practical ritual instruction.

Correct sequencing and color-dhyāna are treated as essential for mantra efficacy and purity of worship, aligning the practitioner’s mind with the intended divine energies and thereby supporting auspicious results (śubha-phala) and ritual completeness.