Prahlada’s Defeat by Nara-Narayana and Victory through Bhakti
तत्र दृष्ट्वा महादेवं नदीं स्नातुमवातरत् अवतीर्णं प्रजग्राह नागः केकरलोहितः
tatra dṛṣṭvā mahādevaṃ nadīṃ snātumavātarat avatīrṇaṃ prajagrāha nāgaḥ kekaralohitaḥ
在那里,他见到大自在天(Mahādeva)后,便下到河中沐浴;方才下水,名为计迦罗-卢希多(Kekara-lohita)之蛇便攫住了他。
{ "primaryRasa": "bhayanaka", "secondaryRasa": "adbhuta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
Even in sacred acts (snāna after darśana), obstacles may arise; the narrative pattern typically teaches steadiness in dharma and reliance on divine order rather than complacency in piety.
It belongs to narrative/episode material (ākhyāna) supporting tīrtha-māhātmya and dharma themes, not to sarga/pratisarga genealogical catalogues directly.
The nāga’s seizure can symbolize latent dangers (inner passions/saṃskāras) that surface precisely at liminal moments (descending into waters), while Mahādeva’s presence signals that Śaiva grace/order frames the episode’s resolution.