Nara-Narayana’s Tapas, Indra’s Temptation, and the Burning of Kama: The Origin of Ananga and the Shiva-Linga Episode
सति सत्यं प्रकुपिता मा कोपं कुरु सुन्दरि पादप्रणामावनतमभिभाषितु मर्हसि
sati satyaṃ prakupitā mā kopaṃ kuru sundari pādapraṇāmāvanatamabhibhāṣitu marhasi
“萨蒂啊——你确已动怒;美丽者,莫再嗔恚。愿你垂允,对我这俯伏于你足下致敬者开口一言。”
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Anger is portrayed as a rupture in dharmic harmony; the remedy shown is humility, respectful speech, and willingness to reconcile—virtues applicable to householders and rulers alike.
Carita-oriented narrative (conduct and episode of divine figures), serving the purāṇic pedagogical role rather than genealogical (vaṃśa) or cosmic (sarga/pratisarga) enumeration.
Śiva’s bowing at Sati’s feet reverses expected hierarchies to teach that pacifying anger may require self-lowering; it sacralizes humility as a spiritual power equal to asceticism.