Kurukshetra, Pṛthūdaka Tīrtha, and the Marriage of Saṃvaraṇa with Tapatī
तत्र क्रीडन्ति सततमप्सरो ऽमरकन्यकाः तासां मध्ये ददर्शाथ कन्यां संवरणो ऽधिकाम्
tatra krīḍanti satatamapsaro 'marakanyakāḥ tāsāṃ madhye dadarśātha kanyāṃ saṃvaraṇo 'dhikām
在那里,阿普萨拉斯——天界仙女——恒常嬉戏。其间,娑ṃ伐罗那遂见一位少女,卓然超胜于众。
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The episode illustrates how attention (dṛṣṭi) becomes the doorway to attachment; vigilance over perception is a classical dharmic counsel, especially for rulers whose choices affect many.
It is narrative material in the Vamśānucarita stream—character-driven episode within royal lineage storytelling.
Apsarases often represent refined pleasures and the subtle temptations of prosperity (śrī). The ‘most excellent maiden’ concentrates desire into a single object, setting up the moral-psychological drama of kāma overpowering discernment.