Akhaṇḍa-Ekādaśī Vrata and the Vaiṣṇava Protective Hymn; Prelude to the Kātyāyanī–Mahiṣāsura Narrative
हलमादाय सौनन्दं नमस्ते पुरषोत्तम प्रतीच्यां रक्ष मे विष्णो भवन्तं शरणं गतः
halamādāya saunandaṃ namaste puraṣottama pratīcyāṃ rakṣa me viṣṇo bhavantaṃ śaraṇaṃ gataḥ
执起名为“娑乌难陀”(Saunanda)的犁,向你致敬,至上之人(Puruṣottama)。请在西方护我,噢毗湿奴;我已来投归于你。
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Śaraṇāgati (taking refuge) is presented as the primary means of safety: the devotee does not rely on personal power but entrusts protection to the Supreme (Puruṣottama/Viṣṇu), expressed as a concrete, directional request.
This is best classed under ancillary devotional material rather than the five defining marks; it aligns most closely with Vamśānucarita/ācāra-style sections where practice (stotra, protective recitation) is taught within the narrative frame.
Assigning a specific divine implement to a direction ritualizes cosmic order: the west is ‘sealed’ by the Lord’s attribute (here, the plough), implying that dharma/order extends into spatial reality, not merely inner piety.