तन्मध्ये रविसोमाग्निमण्डलानि यथाविधि । कल्पयित्वा हरिं मूर्तं यस्मिन्देशे सनातनम्
tanmadhye ravisomāgnimaṇḍalāni yathāvidhi | kalpayitvā hariṃ mūrtaṃ yasmindeśe sanātanam
在那心莲之中,他依仪轨观想日、月与火的圆轮;并于那内在圣域中,塑成永恒的诃利(Hari)之显现圣相。
Narrator (contextual Purāṇic voice within Vaiṣṇavakhaṇḍa; speaker not explicit in the snippet)
Tirtha: Ayodhyā (culminating in antar-darśana)
Type: kshetra
Scene: Inside the opened heart-lotus, three radiant discs—Sun (gold), Moon (silver), Fire (crimson)—orbit or align as a sacred triad; at the center, Hari appears in a gentle, fully manifest form, serene and eternal, filling the inner space with light.
The deity is approached through disciplined visualization—aligning cosmic principles (sun, moon, fire) within the heart and installing Hari there.
Ayodhyā is the Mahātmya setting; the verse itself teaches inner installation of Hari, supporting the text’s portrayal of Ayodhyā as a place conducive to such realization.
A dhyāna-vidhi: contemplating ravi-soma-agni maṇḍalas and then forming (kalpana) Hari’s mūrti in the inner sanctum.