Praṇava-Māhātmya and the Twofold Mantra (Sūkṣma–Sthūla) in Śaiva Sādhanā
प्रवृत्तानां च मिश्राणां स्थूलप्रणवमिष्यते । क्रियातपोजपैर्युक्तास्त्रिविधाः शिवयोगिनः
pravṛttānāṃ ca miśrāṇāṃ sthūlapraṇavamiṣyate | kriyātapojapairyuktāstrividhāḥ śivayoginaḥ
对于从事外在行持者与修持兼行者,规定采用普罗那瓦(Oṃ)的“粗显”形态。湿婆瑜伽行者分三类:奉行仪轨之行者、奉行苦行之行者、奉行持诵(japa)之行者。
Sūta Gosvāmin (narrating the Vidyeśvarasaṃhitā teaching to the sages at Naimiṣāraṇya)
Tattva Level: pashu
Shiva Form: Sadāśiva
Mantra: Oṃ (sthūla-praṇava: audible/uttered praṇava)
Type: panchakshara
It classifies practitioners by temperament and practice, teaching that Śiva’s grace is approached through appropriate means—especially the accessible, audible Praṇava for active or mixed-path seekers, and through kriyā, tapas, or japa as structured disciplines.
The ‘gross’ Praṇava points to a manifest, practice-oriented approach—supporting Saguna devotion where sound (Oṃ), ritual observance, and disciplined worship (often centered on the Liṅga) become concrete supports for inner realization.
Chanting the audible Praṇava (Oṃ) with steadiness, and adopting one primary discipline—kriyā (regulated worship), tapas (austerity), or japa (mantra repetition such as Pañcākṣarī)—according to one’s capacity.