Shloka 18
शिवस्य पञ्चब्रह्मावतारवर्णनम्
Description of Shiva’s Pañcabrahma Avatāras
ध्यायतः पुत्रकामस्य विधेर्जातः कुमारकः । पीतवस्त्रादिक प्रौढो महातेजा महाभुजः
dhyāyataḥ putrakāmasya vidherjātaḥ kumārakaḥ | pītavastrādika prauḍho mahātejā mahābhujaḥ
当造物主毗陀特利（梵天）渴求得子而安住禅观之时，从他身中诞生一位少年——仪容成熟，披着黄色衣裳并佩诸饰物，具大光辉与雄健臂力。
Suta Goswami
Tattva Level: pati
Shiva Form: Tatpuruṣa
Significance: Highlights that even Brahmā’s progeny/manifestations arise through contemplation and divine governance; encourages dhyāna as a means to align with īśvara’s will.
Role: creative
Cosmic Event: Cosmogonic birth/manifestation during a named kalpa; emergence of a radiant kumāra while Brahmā meditates for progeny.
FAQs
It highlights dhyāna (one-pointed meditation) as a creative spiritual power—when directed with intent and purity, it becomes a channel for divine manifestation, reflecting the Purāṇic view that consciousness shaped by devotion can bear sacred results.
Though the verse speaks of Brahmā’s meditation, it supports the Shaiva framework where Saguna forms arise for the sake of devotees and cosmic order; similarly, the Liṅga is a worshipable manifestation through which the devotee’s focused contemplation meets Shiva’s grace.
The implied practice is steady dhyāna with a clear sankalpa (sacred intention); in Shaiva practice this is commonly supported by japa of the Pañcākṣarī (Om Namaḥ Śivāya) and disciplined purity, even when external rites are minimal.