शिवस्य पञ्चब्रह्मावतारवर्णनम्
Description of Shiva’s Pañcabrahma Avatāras
इति श्रीशिवमहापुराणे तृतीयायां शतरुद्रसंहितायां शिवस्य पञ्चब्रह्मावतारवर्णनं नाम प्रथमोऽध्यायः
iti śrīśivamahāpurāṇe tṛtīyāyāṃ śatarudrasaṃhitāyāṃ śivasya pañcabrahmāvatāravarṇanaṃ nāma prathamo'dhyāyaḥ
如是,在神圣的《湿婆摩诃往世书》中,第三部《百鲁陀罗集》(Śatarudra Saṃhitā)之第一章——题为《湿婆显现为五梵(Pañcabrahma)之记述》——至此结束。
Suta Goswami
Shiva Form: Sadāśiva
Sthala Purana: Colophon announcing the chapter theme: Śiva’s Pañcabrahma manifestation (Sadyojāta, Vāmadeva, Aghora, Tatpuruṣa, Īśāna) foundational to Śaiva theology and iconography.
Significance: Recitation/reading is traditionally held to confer śiva-jñāna and orientation to pañcabrahma-dhyāna used in temple worship.
Role: creative
This is the chapter-colophon marking the completion of a teaching unit that frames Śiva as the supreme Pati (Lord) who manifests in a fivefold divine principle (Pañcabrahma), guiding seekers from limited identity toward liberation.
The Śatarudra Saṃhitā commonly presents Śiva’s infinite forms; the Pañcabrahma theme supports Saguna worship (forms and attributes) as a valid doorway to realizing the deeper, transcendent reality of Śiva represented in Linga worship.
As a chapter-ending marker, it does not prescribe a specific rite, but it points toward contemplative worship of Śiva’s fivefold manifestation—typically supported in Shaiva practice by japa of the Pañcākṣarī (Om Namaḥ Śivāya) with devotion and focused meditation.