अयोध्याप्रवेशः
Bharata Enters Ayodhya and Perceives the City’s Desolation
राहुशत्रोः प्रियां पत्नीं श्रिया प्रज्वलितप्रभाम्। ग्रहेणाभ्युत्थितेनैकां रोहिणीमिव पीडिताम्।।2.114.3।।
rāhuśatroḥ priyāṁ patnīṁ śriyā prajvalitaprabhām |
graheṇābhyutthitenaikāṁ rohiṇīm iva pīḍitām ||2.114.3||
她宛如罗希妮——月神所钟爱的妃子:昔日光华灿然,如今孤身受苦,仿佛被一颗敌对而势盛的凶星攫住折磨。
(The city looked) like Rohini, the beloved consort of the Moon, the star which wasmajesticlly radiating flaming brilliance and now, tormented by the exalted Rahu which has eclipsed the Moon, shines alone.
The ethical idea is indirect: when the rightful support (the dharmic center) is removed, even what is naturally radiant becomes afflicted—highlighting the stabilizing role of righteous order.
A poetic description portrays Ayodhya’s lonely, tormented appearance after Rama’s departure, using an astronomical simile involving Rohiṇī and the Moon.
Rama’s indispensability to the kingdom’s wellbeing: his absence is depicted as cosmic disturbance, underscoring his role as dharma’s anchor.