Shloka 179
The Manifestation of Viṣṇu’s Footprints: Vāmana–Trivikrama, Bāṣkali’s Subjugation, and the Rise of Viṣṇupadī
Gaṅgā
भुक्त्वा तु विपुलान्भोगान्कल्पानां तु शतत्रयम् । तदंते जायते राजा सार्वभौमः क्षिताविह
bhuktvā tu vipulānbhogānkalpānāṃ tu śatatrayam | tadaṃte jāyate rājā sārvabhaumaḥ kṣitāviha
他享受了丰盛的福乐三百劫；在那期限终了之时，便在此世间大地上出生为一位至高的转轮圣王、普世君主。
Unspecified in the provided excerpt (context needed from surrounding verses of Sṛṣṭikhaṇḍa 30).
Concept: Great merit produces prolonged enjoyment in higher realms and culminates in auspicious rebirth; spiritual acts shape both heavenly and earthly destinies.
Application: Use prosperity and status as stewardship; remember that pleasures are finite—convert merit into devotion, charity, and service rather than attachment.
Primary Rasa: shanta
Secondary Rasa: adbhuta
Visual Art Cues: {"scene_description":"A soul adorned with subtle radiance enjoys celestial gardens and jeweled halls for ages, then the scene dissolves into an earthly coronation where the same being is reborn as a sārvabhauma king. The imagery emphasizes time’s wheel: garlands fade, kalpas turn, and destiny ripens into responsibility.","primary_figures":["celestial attendants","the meritorious soul","earthly king (rebirth form)","court priests"],"setting":"Two-panel composition: upper celestial realm with gardens and vimānas; lower earthly palace with coronation dais and royal parasol.","lighting_mood":"golden dawn","color_palette":["celestial ivory","sunrise gold","royal maroon","lapis blue","jade green"],"tanjore_prompt":"Tanjore painting style: split-register narrative—top: svarga enjoyment with vimānas and apsarās, bottom: coronation of a universal monarch with priests and royal insignia; gold leaf on crowns, thrones, and celestial architecture, rich reds and greens, ornate borders with chakra and lotus motifs.","pahari_prompt":"Pahari miniature style: elegant two-scene miniature with soft clouds and delicate palace architecture; refined figures, cool blues for heaven, warm earth tones for the coronation; fine detailing on textiles and garlands, lyrical sense of time passing.","kerala_mural_prompt":"Kerala mural style: bold, iconic coronation scene paired with stylized celestial court above; saturated pigments, strong outlines, symmetrical composition, decorative borders and patterned backgrounds.","pichwai_prompt":"Pichwai cloth painting style: narrative panels framed by floral borders; celestial scene with repeating lotus motifs and patterned clouds, earthly scene with royal procession, elephants, and ceremonial lamps; deep blues and gold with maroon accents."}
Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Durga","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["soft drum","courtly shehnai (implied)","temple bells (faint)","wind through gardens","measured silence"]}
Sandhi Resolution Notes: विपुलान्भोगान् = विपुलान् + भोगान्; भोगान्कल्पानाम् = भोगान् + कल्पानाम्; तदंते = तत् + अन्ते; क्षिताविह = क्षितौ + इह
FAQs
It frames enjoyment (bhoga) as extending across immense cosmic time—three hundred kalpas—after which the accumulated result culminates in rebirth as a powerful earthly ruler.
“Sārvabhaumaḥ” literally means “lord of all the earth,” i.e., an emperor or universal sovereign whose authority is portrayed as spanning the whole realm.
The verse implies a karmic linkage between past experiences/actions and future status: worldly sovereignty is presented as a result that arises after long cycles of time, reinforcing the Purāṇic theme of cause-and-effect across births.