Shloka 19
पश्येद्यदीमानुपनीयमानान्स्पृशेन्मनुष्यैरिह दीयमानान् । शृणोति भक्त्याथ मतिं ददाति विकल्मषः सोपि दिवं प्रयाति
paśyedyadīmānupanīyamānānspṛśenmanuṣyairiha dīyamānān | śṛṇoti bhaktyātha matiṃ dadāti vikalmaṣaḥ sopi divaṃ prayāti
若有人仅仅观看这些圣供被奉来，触及它们在此由众人施与之时，怀着信敬聆听，并随之表示赞同或劝勉；即便此人亦能洗净罪垢，得生天界。
Not explicitly identifiable from the single verse (context required from surrounding verses; commonly framed within a Purāṇic dialogue narration).
Concept: Anumodana (devout approval) and even passive participation in sacred acts can purify sin and grant heavenly attainment.
Application: Attend and respectfully witness charitable or devotional acts; listen with faith; offer supportive counsel and sincere approval rather than cynicism—treat even small opportunities for devotion as spiritually consequential.
Primary Rasa: shanta
Secondary Rasa: adbhuta
Visual Art Cues: {"scene_description":"A temple courtyard where devotees bring consecrated offerings and gifts in orderly procession; a humble onlooker stands with folded hands, gently touching the edge of a donation cloth and listening to a priest’s recitation. A subtle aura of cleansing light rises from the offerings, suggesting sins dissolving as the listener gives quiet assent.","primary_figures":["devotees carrying offerings","a Vaishnava priest/ācārya reciting","a humble witness (householder) offering anumodana"],"setting":"lamp-lit temple mandapa with donation vessels, garlands, and a small Vishnu shrine in the background","lighting_mood":"temple lamp-lit","color_palette":["gold leaf","deep vermilion","sandalwood beige","emerald green","sapphire blue"],"tanjore_prompt":"Tanjore painting style: a South Indian mandapa with a small Vishnu shrine, devotees presenting offerings on brass plates, a witness touching the donation cloth and listening; heavy gold leaf halos, rich reds and greens, gem-studded ornaments, ornate archways, crisp iconographic symmetry.","pahari_prompt":"Pahari miniature style: a serene courtyard scene with delicate figures—priest reciting, donors approaching, a listener with folded hands; soft pastel architecture, lyrical trees, fine textile patterns, gentle facial expressions, cool shadows and refined linework.","kerala_mural_prompt":"Kerala mural style: bold outlined temple interior with Vishnu in the sanctum, devotees in profile carrying offerings, the listener receiving a blessing through hearing; natural pigments, strong reds/yellows/greens, stylized eyes, rhythmic composition like a wall fresco.","pichwai_prompt":"Pichwai cloth painting style: a Vaishnava donation scene framed by lotus and tulasi borders, Vishnu’s presence suggested through a central shrine; intricate floral motifs, deep blues and gold, peacocks at the edges, devotional symmetry and ornate textile detailing."}
Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Yaman","pace":"slow-meditative","voice_tone":"reverent-soft","sound_elements":["temple bells","soft conch shell","murmured mantra","rustle of cloth offerings","gentle silence between phrases"]}
Sandhi Resolution Notes: पश्येद्यदि → पश्येत् यदि; इमानुपनीयमानान् → इमान् उपनीयमानान्; उपनीयमानान्स्पृशेत् → उपनीयमानान् स्पृशेत्; स्पृशेन्मनुष्यैरिह → स्पृशेत् मनुष्यैः इह; सोपि → सः अपि
FAQs
It praises supportive participation—seeing, respectfully touching, devoted listening, and offering approval or guidance—stating these can also yield great merit.
It explicitly includes “hearing with devotion” (bhaktyā śṛṇoti) as a salvific act, showing that devotional receptivity itself generates purification and merit.
Encourage and support virtuous acts (like charitable giving) rather than obstructing them; even affirming good deeds with sincere intent is portrayed as spiritually beneficial.