Shloka 15
The Greatness of Puṣkara: Tripuṣkara Pilgrimage, Sacred Geography, and the Doctrine of Self-Restraint
आसन्नश्च ततस्तेषां तदा तुष्टः पितामहः । कोटिं कृत्वा तदा तेषां मानं दृष्ट्वा मनीषिणां
āsannaśca tatasteṣāṃ tadā tuṣṭaḥ pitāmahaḥ | koṭiṃ kṛtvā tadā teṣāṃ mānaṃ dṛṣṭvā manīṣiṇāṃ
于是，祖父神毗多摩诃（Pitāmaha，梵天）心生欢悦，走近他们；他审察诸智者圣仙之荣誉与敬重，仿佛以亿数计量，遂依其分量而加以认可。
Narrator (contextual), with Pitāmaha/Brahmā as the acting figure in the verse
Concept: Divine beings respond to sincere devotion and disciplined wisdom; honor (māna) is ultimately bestowed by grace, not seized by ego.
Application: Cultivate steady practice without craving recognition; when recognition comes, receive it as responsibility and grace.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Type: tirtha
Visual Art Cues: {"scene_description":"Brahmā, serene and radiant, approaches a vast assembly of sages seated in disciplined stillness, his presence causing the air to shimmer like heat over a sacrificial fire. The sages bow with quiet dignity as Brahmā measures their honor—an invisible scale of merit—then blesses them with a compassionate gaze.","primary_figures":["Brahmā (Pitāmaha)","wise sages (manīṣiṇaḥ)","attendant devas or gandharvas (optional)"],"setting":"Puṣkara tīrtha precinct with altar, lake in the background, and a sanctified open court for darśana","lighting_mood":"divine radiance","color_palette":["radiant gold","lotus pink","ivory white","sky azure","copper orange"],"tanjore_prompt":"Tanjore painting style: Brahmā with four faces seated or stepping forward on a lotus pedestal, heavy gold leaf halo and embossed ornaments; sages in symmetrical rows with añjali mudrā, rich red-green textiles, gem-studded crowns and ritual vessels, luminous gold detailing emphasizing Brahmā’s pleased approach and blessing gaze.","pahari_prompt":"Pahari miniature style: Brahmā descending gently with a soft golden aura, delicate lotus pedestal, sages below in calm reverence; cool blues of the lake and pale sky, refined facial features, subtle shading, lyrical serenity with a sense of benediction.","kerala_mural_prompt":"Kerala mural style: Brahmā rendered with bold outlines and iconic eyes, warm yellow-red-green palette; sages arranged in rhythmic bands, patterned background suggesting sacred space, a strong circular halo indicating divine satisfaction and proximity.","pichwai_prompt":"Pichwai cloth painting style: Brahmā centered within a lotus mandala, sages as surrounding petals; intricate floral borders, deep indigo field with gold highlights, peacocks and vines framing the blessing scene, devotional symmetry and ornate detail."}
Audio Atmosphere: {"recitation_mood":"dramatic","suggested_raga":"Bhairavi","pace":"moderate-narrative","voice_tone":"reverent-soft","sound_elements":["conch shell","temple bells","hushed crowd silence","soft celestial drone","yajña-fire crackle"]}
Sandhi Resolution Notes: आसन्नश्च = आसन्नः + च
FAQs
“Pitāmaha” is a common Purāṇic epithet for Brahmā, the cosmic progenitor, described as approaching the sages with satisfaction.
Literally “having made (it) a koṭi,” it conveys reckoning or valuing their “māna” (honor/esteem) as extremely great—using “koṭi” as a hyperbolic measure.
The verse reinforces that true wisdom (manīṣā) merits recognition: even Brahmā is portrayed as honoring and acknowledging the stature of the wise.