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Shloka 67

Śalya–Yudhiṣṭhira Duel and the Discharge of the Śakti (शल्यवधप्रसङ्गः)

मुहूर्तमिव तौ गत्वा नर्दमाने युधिष्ठिरे । स्मित्वा ततो मद्रपतिरन्यं स्यन्दनमास्थित:

muhūrtam iva tau gatvā nardamāne yudhiṣṭhire | smitvā tato madrapatir anyaṃ syandanam āsthitaḥ ||

桑阇耶说道:片刻之间,坚战追逐不舍,吼声如狮;而摩陀罗之主沙利耶只是含笑,转而登上另一乘战车。那战车光辉夺目,依礼整备;其轰鸣深沉如大云雷动,足令敌军毛发悚然。

मुहूर्तम्for a moment
मुहूर्तम्:
Karma
TypeNoun
Rootमुहूर्त
FormMasculine, Accusative, Singular
इवas if/like
इव:
TypeIndeclinable
Rootइव
तौthose two (them)
तौ:
Karma
TypePronoun
Rootतद्
FormMasculine, Accusative, Dual
गत्वाhaving gone
गत्वा:
TypeVerb
Rootगम्
Formक्त्वा (absolutive/gerund), Parasmaipada (usage-neutral)
नर्दमानेwhile (he) was roaring
नर्दमाने:
Adhikarana
TypeVerb
Rootनर्द्
Formशतृ (present active participle), Masculine, Locative, Singular
युधिष्ठिरेin/when (it was) Yudhiṣṭhira
युधिष्ठिरे:
Adhikarana
TypeNoun
Rootयुधिष्ठिर
FormMasculine, Locative, Singular
स्मित्वाhaving smiled
स्मित्वा:
TypeVerb
Rootस्मि
Formक्त्वा (absolutive/gerund), Parasmaipada (usage-neutral)
ततःthen/from there
ततः:
TypeIndeclinable
Rootततः
मद्रपतिःthe lord of Madra (Śalya)
मद्रपतिः:
Karta
TypeNoun
Rootमद्रपति
FormMasculine, Nominative, Singular
अन्यम्another
अन्यम्:
Karma
TypeAdjective
Rootअन्य
FormMasculine, Accusative, Singular
स्यन्दनम्chariot
स्यन्दनम्:
Karma
TypeNoun
Rootस्यन्दन
FormMasculine, Accusative, Singular
आस्थितःhaving mounted/taken position on
आस्थितः:
TypeVerb
Rootआ-स्था
Formक्त (past passive participle, used actively), Masculine, Nominative, Singular

संजय उवाच

S
Sañjaya
Y
Yudhiṣṭhira
Ś
Śalya (Madrapati, king of Madra)
S
syandana (chariot)
M
Madra (kingdom, implied by title)

Educational Q&A

The verse highlights contrasting battle-temperaments: righteous intensity in pursuit (Yudhiṣṭhira’s lion-like roar) and strategic calm (Śalya’s smile and swift change of chariot). Ethically, it reflects kṣatriya-dharma in action—steadfast courage paired with tactical adaptability—showing that inner composure can be as decisive as outward ferocity.

As Yudhiṣṭhira advances in pursuit, roaring, Śalya—identified as the king of Madra—smiles and mounts another chariot, indicating a tactical shift in the midst of combat and the continuing, fluid movement of the battlefield.