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Shloka 73

समन्तपञ्चक-आख्यानम् तथा अक्षौहिणी-प्रमाणनिर्णयः

Samantapañcaka Narrative and the Measure of an Akṣauhiṇī

ऐषीकं पर्व चोद्दिष्टमत ऊर्ध्व सुदारुणम्‌ जलप्रदानिकं पर्व स्त्रीविलापस्तत: परम्‌,इसके बाद अत्यन्त दारुण ऐषीकपर्वकी कथा है। फिर जलप्रदानिक और स्त्रीविलापपर्व आते हैं

aiṣīkaṁ parva coddiṣṭam ata ūrdhvaṁ sudāruṇam | jalapradānikaṁ parva strīvilāpas tataḥ param ||

其后所列为《艾希迦篇》(Aiṣīka Parva),其事极其惨烈。再后是《献水篇》(Jalapradānika Parva),讲述以水作供献之礼;继而为《妇女哀号篇》(Strīvilāpa Parva),充满妇人悲泣哀恸——昭示毁灭之后在道义与情感上的余波。

ऐषीकम्named 'Aiṣīka' (of the Aiṣīka section)
ऐषीकम्:
Karma
TypeAdjective
Rootऐषीक
FormNeuter, Accusative, Singular
पर्वsection; parvan
पर्व:
Karma
TypeNoun
Rootपर्वन्
FormNeuter, Accusative, Singular
and
:
TypeIndeclinable
Root
उद्दिष्टम्has been indicated/mentioned
उद्दिष्टम्:
TypeVerb
Rootउद्-√दिश्
FormNeuter, Nominative, Singular, Past passive participle (क्त)
अतःthereafter; then
अतः:
TypeIndeclinable
Rootअतः
ऊर्ध्वम्afterwards; further on
ऊर्ध्वम्:
TypeIndeclinable
Rootऊर्ध्व
सुदारुणम्very dreadful; extremely terrible
सुदारुणम्:
Karma
TypeAdjective
Rootसुदारुण
FormNeuter, Accusative, Singular
जलप्रदानिकम्named 'Jalapradānika' (water-offering section)
जलप्रदानिकम्:
Karma
TypeAdjective
Rootजलप्रदानिक
FormNeuter, Accusative, Singular
पर्वsection; parvan
पर्व:
Karma
TypeNoun
Rootपर्वन्
FormNeuter, Accusative, Singular
स्त्रीविलापःthe lamentation of women (Strīvilāpa section)
स्त्रीविलापः:
Karta
TypeNoun
Rootस्त्रीविलाप
FormMasculine, Nominative, Singular
ततःthen; thereafter
ततः:
TypeIndeclinable
Rootततः
परम्next; following
परम्:
TypeAdjective
Rootपर
FormNeuter, Accusative, Singular

राम उवाच

A
Aiṣīka Parva
J
Jalapradānika Parva
S
Strīvilāpa Parva

Educational Q&A

The verse highlights that catastrophic action is followed by unavoidable moral and human consequences: ritual duties toward the dead (water-offerings) and the raw grief of survivors. It implicitly frames dharma not only as heroic action but also as responsibility in the aftermath—honoring the departed and acknowledging suffering.

The speaker is enumerating upcoming sections (parvans) of the Mahābhārata’s narrative: first the grim Aiṣīka Parva, then the Jalapradānika Parva dealing with water-oblations for the dead, and finally the Strīvilāpa Parva centered on women’s lamentation—an outline of successive episodes and their tone.