Shloka 49

देवैर्विष्णोः शरणागमनम्—शिवलिङ्गस्थापनं, शिवसहस्रनामस्तवः, सुदर्शनचक्रप्रदानं च

Devanagari script

समायुक्तो निवृत्तात्मा धर्मयुक्तः सदाशिवः चतुर्मुखश्चतुर्बाहुर् दुरावासो दुरासदः

Transliteration

samāyukto nivṛttātmā dharmayuktaḥ sadāśivaḥ caturmukhaścaturbāhur durāvāso durāsadaḥ

Translation

祂于瑜伽中圆满相应（Samāyukta），其自性已回转远离世欲（Nivṛttātmā）。安住于法（Dharma），祂即常住湿婆Sadāśiva。祂四面四臂；其住处难至，祂自身亦难近——唯有戒行调伏、脱离系缚之灵方能亲近。

Word by Word

• समायुक्तः: perfectly yoked/steadfast (in Yoga)

• निवृत्तात्मा: one whose mind-self has withdrawn (from sense-objects)

• धर्मयुक्तः: endowed with/established in Dharma

• सदाशिवः: Sadāśiva, the ever-auspicious Lord (Pati)

• चतुर्मुखः: four-faced

• चतुर्बाहुः: four-armed

• दुरावासः: of hard-to-reach abode/whose dwelling is difficult to attain

• दुरासदः: difficult to approach/rarely accessible

Speaker

Suta Goswami (narrating a Shiva-stuti in the Linga Purana’s Sahasranama-style section)

Characters & Entities

• Shiva
• Sadashiva

FAQs

What is the importance of this verse in the context of Linga worship?

It frames Shiva as the transcendent Pati—approached not merely by outward ritual but by inner yogic integration (samāyukta) and withdrawal (nivṛtti); Linga worship is thus validated as both ritual and contemplative ascent toward the hard-to-reach Reality.

How does this verse describe the nature of Shiva (Shiva-tattva)?

Shiva is portrayed as Sadāśiva: eternally auspicious, established in Dharma, inwardly detached, and yet manifest with divine form (four faces and arms). He is ‘durāsada’—not grasped by ordinary pashu-consciousness bound by pasha, but realized through purification and grace.

What ritualistic or Yogic practice is highlighted here?

The verse highlights nivṛtti and samādhi-oriented discipline—Pāśupata-style inner restraint and yogic steadiness—implying that effective Shiva-pūjā culminates in mental withdrawal, dharmic conduct, and focused contemplation of the Linga as Shiva-tattva.