देवैर्विष्णोः शरणागमनम्—शिवलिङ्गस्थापनं, शिवसहस्रनामस्तवः, सुदर्शनचक्रप्रदानं च
लोकोत्तरस्फुटालोकस् त्र्यंबको नागभूषणः अन्धकारिर्मखद्वेषी विष्णुकन्धरपातनः
lokottarasphuṭālokas tryaṃbako nāgabhūṣaṇaḥ andhakārirmakhadveṣī viṣṇukandharapātanaḥ
祂是超越诸界者,其光辉如澄澈明灯,照耀于一切世界之外;三目主特里央婆迦;以蛇为庄严者。祂诛灭安陀迦,敌对傲慢的祭祀之骄;并令毗湿奴之颈俯伏——当正法被遮蔽时,连护持者亦被祂谦抑。
Suta Goswami (narrating Shiva-Sahasranama to the sages of Naimisharanya)
It frames the Linga as Shiva’s lokottara-āloka—transcendent, self-manifest light—so worship is not mere external rite but alignment of the pashu (soul) with Pati through purity, surrender, and inner illumination.
Shiva is presented as the clear radiance beyond the worlds and as Tryambaka, whose threefold vision governs time and karma; he destroys tamas (Andhaka) and corrects pasha through humbling pride in both ritual power (makha) and cosmic authority (even Vishnu).
The verse points to Pashupata-oriented sadhana: moving from outer sacrifice to inner yajna—disciplining ego, transforming tamas, and meditating on Shiva as the luminous Linga (āloka) while mastering fear and vital energy symbolized by the serpent-ornament.