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Shloka 83

Shivamurti–Pratishtha Phala: Shivalaya-Nirmana, Kshetra-Mahatmya, Tirtha-Snana, and Mandala-Vidhi

अलंकृत्य वितानाद्यैश् छत्रैर् वापि मनोरमैः बुद्बुदैरर्धचन्द्रैश् च हैमैरश्वत्थपत्रकैः

alaṃkṛtya vitānādyaiś chatrair vāpi manoramaiḥ budbudairardhacandraiś ca haimairaśvatthapatrakaiḥ

以华盖帷幔等装饰供养之处与主之圣标,或以悦意宝伞庄严;复以金色如泡之饰、半月纹样与金制菩提榕(aśvattha)叶纹点缀,然后当以恭敬之心礼拜Pati——一切众生之主。

alaṃkṛtyahaving adorned
alaṃkṛtya:
vitāna-ādyaiḥwith canopies and similar hangings
vitāna-ādyaiḥ:
chatraiḥwith parasols/umbrellas (honorific emblems)
chatraiḥ:
vā apiand also
vā api:
manoramaiḥdelightful, beautiful
manoramaiḥ:
budbudaiḥbubble-like globes/rounded ornaments
budbudaiḥ:
ardhacandraiḥwith crescent-moons
ardhacandraiḥ:
caand
ca:
haimaiḥmade of gold
haimaiḥ:
aśvattha-patrakaiḥwith aśvattha (sacred fig) leaf-forms/leaf-ornaments
aśvattha-patrakaiḥ:

Suta Goswami

S
Shiva

FAQs

It prescribes ārādhana through maṅgala-alankāra—honorific decorations like canopies and parasols—treating the Liṅga as Pati (the sovereign Lord) and establishing a sacred, consecrated atmosphere for worship.

By receiving royal emblems (chatra, vitāna) and auspicious symbols (ardhacandra), Shiva is implied as Pashupati—transcendent yet present through the Liṅga, worthy of reverence that elevates the pashu (individual soul) toward purity and grace.

It highlights puja-vidhi through external alankāra (bahir-upacāra), which supports inner Pāśupata bhāva—steady devotion and recollection of Pati while preparing the worship-space.