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Shloka 68

Adhyaya 72 — Puradāha: Rudra’s Cosmic Chariot, Pāśupata-Vrata, and Brahmā’s Shiva-Stuti

तां सिद्धगन्धर्वपिशाचयक्षविद्याधराहीन्द्रसुरेन्द्रमुख्याः प्रणेमुरुच्चैरभितुष्टुवुश् च जयेति देवीं हिमशैलपुत्रीम्

tāṃ siddhagandharvapiśācayakṣavidyādharāhīndrasurendramukhyāḥ praṇemuruccairabhituṣṭuvuś ca jayeti devīṃ himaśailaputrīm

诸悉达、乾闼婆、毗舍遮、夜叉、持明者、龙王以及诸天之主中的最上者,皆向那位女神俯首顶礼;并高声赞颂雪山王希摩伐特之女,齐呼:“胜利归于天女(Devī)!”

ताम् (tām)to her/that Goddess
ताम् (tām):
सिद्ध (siddha)perfected beings
सिद्ध (siddha):
गन्धर्व (gandharva)celestial musicians
गन्धर्व (gandharva):
पिशाच (piśāca)spirit-beings
पिशाच (piśāca):
यक्ष (yakṣa)nature-guardians/treasure-keepers
यक्ष (yakṣa):
विद्याधर (vidyādhara)bearers of occult knowledge
विद्याधर (vidyādhara):
आहीन्द्र (ahīndra)serpent-lords (Nāga-kings)
आहीन्द्र (ahīndra):
सुरेन्द्र (surendra)Indra and the rulers of the Devas
सुरेन्द्र (surendra):
मुख्याः (mukhyāḥ)the foremost
मुख्याः (mukhyāḥ):
प्रणेमुः (praṇemuḥ)bowed down, paid obeisance
प्रणेमुः (praṇemuḥ):
उच्चैः (uccaiḥ)loudly, with raised voice
उच्चैः (uccaiḥ):
अभितुष्टुवुः (abhituṣṭuvuḥ)praised, extolled
अभितुष्टुवुः (abhituṣṭuvuḥ):
च (ca)and
च (ca):
जय इति (jaya iti)saying “Victory!”
जय इति (jaya iti):
देवीम् (devīm)the Goddess
देवीम् (devīm):
हिमशैलपुत्रीम् (himaśailaputrīm)the daughter of the हिमशैल (Himālaya), i.e., Pārvatī
हिमशैलपुत्रीम् (himaśailaputrīm):

Suta Goswami (narrating to the sages of Naimisharanya)

D
Devi (Parvati/Uma)
S
Siddhas
G
Gandharvas
P
Pisachas
Y
Yakshas
V
Vidyadharas
N
Naga-kings (Ahindra)
D
Devas (Surendra/Indra)

FAQs

It establishes Devi (Himavat-putri) as universally revered by all classes of beings, supporting the Shaiva view that Linga-worship is fulfilled when Shiva (Pati) is honored along with Shakti, the inseparable power behind grace and manifestation.

By showing all cosmic orders praising Devi, the verse implies Shiva-tattva as Pati is never without Shakti; the Lord’s transcendence and governance are expressed through the Goddess, who is honored as the divine potency integral to liberation of the pashu from pasha.

The verse highlights stuti (hymnic praise) and praṇāma (prostration), core limbs of Shaiva puja; as a yogic takeaway, it reflects bhakti-infused reverence that steadies the mind for Pashupata-oriented discipline.