Adhyaya 72 — Puradāha: Rudra’s Cosmic Chariot, Pāśupata-Vrata, and Brahmā’s Shiva-Stuti
अनन्तपादस् त्वम् अनन्तबाहुर् अनन्तमूर्धान्तकरः शिवश् च अनन्तमूर्तिः कथम् ईदृशं त्वां तोष्ये ह्य् अतोष्यं कथमीदृशं त्वाम्
anantapādas tvam anantabāhur anantamūrdhāntakaraḥ śivaś ca anantamūrtiḥ katham īdṛśaṃ tvāṃ toṣye hy atoṣyaṃ kathamīdṛśaṃ tvām
汝具无量之足、无量之臂、无量之首——终结一切之主,实即湿婆自身。汝之形相无尽;我如何能令汝欢悦——汝本超越“可被满足”——又如何能取悦如是无边之无限者?
Suta Goswami (narrating a devotee’s stuti to Shiva within the Purva-Bhaga discourse)
It frames Shiva as ananta—limitless in limbs and forms—implying the Linga as the non-finite, non-measurable sign of Pati; worship is thus not about “completing” an offering but about continual surrender and devotion.
Shiva-tattva is presented as infinite (ananta) and as the one who brings the end (antakara) at dissolution; He transcends all finite praise and remains beyond full appeasement, indicating His supremacy as Pati over all pashus.
The key practice is bhakti with dainya (humble inadequacy) and śaraṇāgati (taking refuge): recognizing the pashu’s limitation under pāśa and turning to Pati through stuti and steady pūjā without expecting to “measure up” to the Infinite.