Shloka 69

वासिष्ठकथनम् (आदित्य–सोमवंशवर्णनम् तथा रुद्रसहस्रनाम-प्रशंसा)

Devanagari script

शृगालरूपः सर्वार्थो मुण्डः सर्वशुभङ्करः सिंहशार्दूलरूपश् च गन्धकारी कपर्द्यपि

Transliteration

śṛgālarūpaḥ sarvārtho muṇḍaḥ sarvaśubhaṅkaraḥ siṃhaśārdūlarūpaś ca gandhakārī kapardyapi

Translation

祂现豺形；祂是一切所求之义与究竟。祂为剃首苦行者，赐予诸般吉祥。祂亦现狮与虎之相；祂是芳香的造作者；祂是迦波尔底（Kapardī），拥有盘结卷曲发髻之主。

Word by Word

• शृगाल-रूपः: one whose form is a jackal

• सर्व-अर्थः: the essence/meaning of all aims (dharma-artha-kāma-mokṣa) and all realities

• मुण्डः: the shaven-headed/tonsured ascetic, also the skull-bearing renunciant

• सर्व-शुभं-करः: maker of all auspiciousness

• सिंह-शार्दूल-रूपः: one whose form is lion and tiger

• च: and

• गन्ध-कारी: producer/bestower of fragrance, perfumer

• कपर्दी: the matted-haired Lord (with kaparda-like coiled locks)

• अपि: also/indeed

Speaker

Suta Goswami (narrating Shiva Sahasranama to the sages of Naimisharanya)

Characters & Entities

• Shiva

FAQs

What is the importance of this verse in the context of Linga worship?

It supports Linga-upāsanā by affirming Shiva as Sarvārtha—the inner meaning of every aim—so worship of the Linga is presented as worship of the one Pati who grants all auspicious outcomes and ultimately moksha.

How does this verse describe the nature of Shiva (Shiva-tattva)?

Shiva-tattva is shown as unlimited and sovereign: He freely manifests as diverse forms (jackal, lion, tiger) while remaining the single auspicious Reality who is the goal behind all human pursuits—transcending pasha (bondage) and guiding the pashu (soul) to liberation.

What ritualistic or Yogic practice is highlighted here?

The verse implicitly points to Pashupata-style contemplation and japa of the Sahasranama: meditating on Shiva’s many forms and epithets to dissolve limited identity (pashu-bhāva) and align the practitioner with the auspicious Pati through Linga-pūjā and mantra.