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Linga Purana — Purva Bhaga, Shloka 27

दक्षयज्ञध्वंसः—वीरभद्रप्रेषणं, देवविष्ण्वोः पराजयः, पुनरनुग्रहः

निहत्य गदया विष्णुं ताडयामास मूर्धनि ततश्चोरसि तं देवं लीलयैव रणाजिरे

nihatya gadayā viṣṇuṃ tāḍayāmāsa mūrdhani tataścorasi taṃ devaṃ līlayaiva raṇājire

他以钉锤击倒毗湿奴,又击其头顶;继而在战场上还击那位天神的胸膛,仿佛把争战当作游戏。此处《往世书》示意:即便至高诸天亦随主宰Pati(湿婆)之意而动,而被缚众生(paśu)仍受缚索(pāśa)所制,直至恩 grace 生起。

निहत्यhaving struck down/overpowered
निहत्य:
गदयाwith a mace
गदया:
विष्णुम्Viṣṇu
विष्णुम्:
ताडयामासstruck/smote
ताडयामास:
मूर्धनिon the head
मूर्धनि:
ततःthen/thereafter
ततः:
and
:
उरसिon the chest
उरसि:
तम्that
तम्:
देवंgod/deity
देवं:
लीलया एवas if in play/merely as sport
लीलया एव:
रणाजिरेin the battlefield/arena of war
रणाजिरे:

Suta Goswami (narrating to the sages of Naimisharanya)

V
Vishnu

FAQs

It reinforces that all deities and powers ultimately function under Pati (Śiva); thus Linga worship is directed to the supreme governor beyond deva-level might, seeking release of the paśu from pasha through Śiva’s grace.

By portraying the conflict as līlā, it implies Shiva-tattva as sovereign, effortless, and transcendent—able to regulate even cosmic protectors like Viṣṇu without strain, indicating mastery over karma and cosmic order.

The implied takeaway aligns with Pāśupata orientation: relinquish fascination with power and victory, cultivate vairāgya (dispassion), and seek Śiva’s anugraha (grace) through Linga-pūjā and inner surrender.