दक्षयज्ञध्वंसः—वीरभद्रप्रेषणं, देवविष्ण्वोः पराजयः, पुनरनुग्रहः
निहत्य गदया विष्णुं ताडयामास मूर्धनि ततश्चोरसि तं देवं लीलयैव रणाजिरे
nihatya gadayā viṣṇuṃ tāḍayāmāsa mūrdhani tataścorasi taṃ devaṃ līlayaiva raṇājire
他以钉锤击倒毗湿奴,又击其头顶;继而在战场上还击那位天神的胸膛,仿佛把争战当作游戏。此处《往世书》示意:即便至高诸天亦随主宰Pati(湿婆)之意而动,而被缚众生(paśu)仍受缚索(pāśa)所制,直至恩 grace 生起。
Suta Goswami (narrating to the sages of Naimisharanya)
It reinforces that all deities and powers ultimately function under Pati (Śiva); thus Linga worship is directed to the supreme governor beyond deva-level might, seeking release of the paśu from pasha through Śiva’s grace.
By portraying the conflict as līlā, it implies Shiva-tattva as sovereign, effortless, and transcendent—able to regulate even cosmic protectors like Viṣṇu without strain, indicating mastery over karma and cosmic order.
The implied takeaway aligns with Pāśupata orientation: relinquish fascination with power and victory, cultivate vairāgya (dispassion), and seek Śiva’s anugraha (grace) through Linga-pūjā and inner surrender.