Naimittika-pralaya and the Theology of Kāla: Seven Suns, Saṃvartaka Fire, Flood, and Varāha Kalpa
अनन्तस्तारको योगी गतिर्गतिमतां वरः / हंसः प्राणो ऽथ कपिलो विश्वमूर्तिः सनातनः
anantastārako yogī gatirgatimatāṃ varaḥ / haṃsaḥ prāṇo 'tha kapilo viśvamūrtiḥ sanātanaḥ
你是阿难陀(Ananta),无尽者;你是度脱者塔罗迦(Tāraka);你是瑜伽行者;你是至上归趣与一切求道者最胜依止。你是恒娑(Haṃsa),在众生之内运行的内在真我;你是普拉那(Prāṇa),生命之息;你是迦毗罗(Kapila);你是以整个宇宙为身的永恒本初者。
A sage/narrator offering a stuti (hymn) to the Supreme Lord (Hari as Kurma/Narayana), in a Shaiva–Vaishnava synthesis typical of the Kurma Purana
Primary Rasa: shanta
Secondary Rasa: adbhuta
It portrays the Supreme as both transcendent (Ananta, Sanātana) and immanent (Prāṇa, Viśvamūrti, Haṃsa), indicating the one Reality as the inner Self and the cosmic form sustaining all beings.
The verse frames the Lord as the Yogin and as Haṃsa (linked with the so’ham contemplation), implying inward meditation on prāṇa and the indwelling Self as the direct means to realize the highest gati (liberating goal).
By using universal epithets (Yogin, Tāraka, Viśvamūrti) common to Shaiva and Vaishnava stutis, it reflects the Kurma Purana’s non-sectarian synthesis: one Supreme Ishvara praised through multiple theological lenses.