Daily Duties of Brāhmaṇas: Snāna, Sandhyā, Sūrya-hṛdaya, Japa, Tarpaṇa, and the Pañca-mahāyajñas
उदुत्यं चित्रमित्येते तच्चक्षुरिति मन्त्रतः / हंसः शुचिषदेतेन सावित्र्या च विशेषतः
udutyaṃ citramityete taccakṣuriti mantrataḥ / haṃsaḥ śuciṣadetena sāvitryā ca viśeṣataḥ
“Ud utyaṃ citram…”以及“Tac cakṣur…”——这些即为真言。凭借这些真言,尤其凭借萨维特丽(Sāvitrī,即伽雅特丽 Gāyatrī),应观想“哈ṃ萨”(Haṃsa)——住于光明界的清净者(内在自性“so’ham”)。
A Purana narrator (Vyasa/Suta-style narration) presenting mantra-based contemplation instructions in the Kurma Purana’s teaching stream
Primary Rasa: shanta
Secondary Rasa: adbhuta
It points to the Haṃsa as the pure, luminous indweller—realized through mantra and contemplation—indicating the Self as the inner witness (the ‘divine eye’) rather than merely an external deity.
Mantra-japa and dhyāna: recitation/usage of Vedic solar mantras (e.g., “Ud utyaṃ citram…”, “Tac cakṣur…”) with special emphasis on Sāvitrī (Gāyatrī), culminating in Haṃsa (so’ham) contemplation aligned with inner purification.
By centering realization on the Haṃsa/Supreme Self accessed through mantra and purity, it supports the Kurma Purana’s non-sectarian synthesis: the ultimate is one (Ishvara/Atman) and is approached through shared yogic-mantric discipline beyond sect labels.