Īśvara-Gītā (continued): Twofold Yoga, Aṣṭāṅga Discipline, Pāśupata Meditation, and the Unity of Nārāyaṇa–Maheśvara
ओष्ठयोः स्पन्दमात्रेण परस्याशब्दबोधकः / उपांशुरेष निर्दिष्टः साहस्रो वाचिकाज्जपः
oṣṭhayoḥ spandamātreṇa parasyāśabdabodhakaḥ / upāṃśureṣa nirdiṣṭaḥ sāhasro vācikājjapaḥ
当真言不以可闻之声宣出,仅以唇微动而令其义相应时,此被教为“优般输”(upāṃśu,低语/无声诵念)。此优般输持诵被宣说为较口诵(vācika)持诵胜妙千倍。
Lord Kurma (Vishnu) instructing King Indradyumna within the Ishvara Gita teaching context
Primary Rasa: shanta
Secondary Rasa: adbhuta
By praising soundless (aśabda) indication of the mantra, the verse points toward an inward, subtle realization—where the sacred meaning is apprehended internally rather than through external speech, aligning practice with the inwardly known Supreme.
It highlights mantra-japa as a yogic discipline and ranks upāṃśu (inaudible/whispered) recitation above vācika (aloud) japa, emphasizing interiorization, restraint of speech, and steadier concentration—key features of Pashupata-oriented sādhanā in the Ishvara Gita.
Though Shiva is not named in this line, the Ishvara Gita’s shared yogic vocabulary (japa, inner discipline, subtle recitation) reflects the Kurma Purana’s Shaiva–Vaishnava synthesis: the same inner yogic method is upheld as a universal means to realize Ishvara beyond sectarian form.