Avadhūta’s Teachers: Python, Ocean, Moth, Bee, Elephant, Deer, Fish—and Piṅgalā’s Song of Detachment
यदस्थिभिर्निर्मितवंशवंश्य- स्थूणं त्वचा रोमनखै: पिनद्धम् । क्षरन्नवद्वारमगारमेतद् विण्मूत्रपूर्णं मदुपैति कान्या ॥ ३३ ॥
yad asthibhir nirmita-vaṁśa-vaṁsya- sthūṇaṁ tvacā roma-nakhaiḥ pinaddham kṣaran-nava-dvāram agāram etad viṇ-mūtra-pūrṇaṁ mad upaiti kānyā
这物质之身如同灵魂居住的房舍:脊骨、肋骨、臂腿之骨为梁为柱;外覆皮肤、毛发与指甲;九门不断渗出污秽,内里充满粪尿。除我之外,哪位女子会愚到把自己奉献给这躯壳,以为能在这装置中寻得爱与乐呢?
The nine doors leading into and out of the body are the two eyes, the two nostrils, the mouth, the two ears, the genitals and the anus. Vaṁśa, or “spine,” also means “bamboo,” and indeed the skeleton appears to resemble a bamboo construction. Just as bamboo can be immediately burned to ashes or chopped into pieces, similarly, the material body, which is constantly deteriorating, may at any moment be crushed into powder, cut into pieces, drowned, burned, suffocated, and so on. Eventually the body must disintegrate, and therefore there is certainly no one as unfortunate as one who has dedicated himself heart and soul to this flimsy body, which is filled with unpleasant elements.
This verse teaches vairāgya by describing the body as a leaking, impure ‘house’ made of bones and covered with skin—warning that infatuation with bodily beauty is delusion.
King Yadu inquired about the Avadhūta’s freedom and wisdom; the Avadhūta instructs him in renunciation and clear perception, exposing bodily attraction as ignorance that binds the soul.
Use it to reduce obsession and craving: respect the body as a tool for dharma and bhakti, but stop romanticizing it—redirect attention to character, service, and remembrance of the Lord.