Rāsa-līlā Begins; Divine Multiplication; Moral Doubt and Its Resolution
तत्रैकांसगतं बाहुं कृष्णस्योत्पलसौरभम् । चन्दनालिप्तमाघ्राय हृष्टरोमा चुचुम्ब ह ॥ ११ ॥
tatraikāṁsa-gataṁ bāhuṁ kṛṣṇasyotpala-saurabham candanāliptam āghrāya hṛṣṭa-romā cucumba ha
在那里,克里希纳把手臂搭在一位牧女的肩上;那手臂本有如青莲般的天然芬芳,又与所涂檀香膏的香气相融。牧女品嗅其香,欢喜得毛发竖立,便亲吻了祂的手臂。
It depicts a gopī’s intimate, reverent affection—her ecstatic bodily response and loving gesture—showing the depth of prema-bhakti centered solely on Kṛṣṇa.
Śukadeva Gosvāmī narrates these confidential pastimes to Mahārāja Parīkṣit while describing the rāsa dance in Vṛndāvana.
It teaches focused devotion—absorbing the mind and senses in remembrance of Kṛṣṇa with purity and reverence—while honoring these pastimes as sacred, not mundane.