
Rishi: Atharvanic/Aṅgirasa tradition (specific r̥ṣi not stated in the provided excerpt; requires Anukramaṇī check).
Devata: Indra (marutvat) as boon-granter; implicitly the consecratory power of abhiṣeka.
Chandas: Likely Anuṣṭubh (requires metrical verification against full pada-count).
本颂歌交织了布施(dāna)的伦理、祖先功德向上延展的“线索”,以及祭祀(yajña)引向天界的推动力,最终汇聚为一种近似灌顶(abhiṣeka)的祝圣仪式,祈请与马鲁特同在的因陀罗赐予所求之福。其效力在于使社会—宗教行动(施与、祭司的中介、献祭)与祝圣性的洒水之举相契合,以此封印繁荣、护佑与吉祥的地位。故此颂作为“增益—成礼”护符而运作:在婆罗门仪轨的护持之下,既授权现世的成功,也确保通往彼岸的稳妥道路。
Mantra 1
तृतीयो नाकः। ए॒तं भा॒गं परि॑ ददामि वि॒द्वान् विश्व॑कर्मन् प्रथम॒जा ऋ॒तस्य॑ । अ॒स्माभि॑र्द॒त्तं ज॒रसः॑ प॒रस्ता॒दच्छि॑न्नं॒ तन्तु॒मनु॒ सं त॑रेम
第三重天界:此份我以知者之身奉献——噢,毗湿瓦羯曼(Viśvakarman),秩序(ṛta)之初生者。愿我们所献、超越衰老之彼岸者——循那不断之线(tantu),得以全然渡越。
Mantra 2
त॒तं तन्तु॒मन्वेके॑ तरन्ति॒ येषां॑ द॒त्तं पित्र्य॒माय॑नेन । अ॒ब॒न्ध्वेके॒ दद॑तः प्र॒यच्छ॑न्तो॒ दातुं॒ चेच्छिक्षा॒न्त्स स्व॒र्ग ए॒व
沿着那已张开的丝线,有人得以渡越——那些依循祖灵(Pitṛ)之道而获赐供施者。另有人虽无亲族,却仍施与、分与;若他们愿学习布施——对他们而言,天界确实存在。
Mantra 3
अ॒न्वार॑भेथामनु॒संर॑भेथामे॒तं लो॒कं श्र॒द्दधा॑नाः सचन्ते । यद् वां॑ प॒क्वं परि॑विष्टम॒ग्नौ तस्य॒ गुप्त॑ये दम्पती॒ सं श्र॑येथाम्
其后当执持,当同执持:怀着信心者依附此世。你们二人那已熟的供品置于火(Agni)中——为使其得以守护,夫妇啊,你们当同来依止。
Mantra 4
य॒ज्ञं यन्तं॒ मन॑सा बृ॒हन्त॑म॒न्वारो॑हामि॒ तप॑सा॒ सयो॑निः । उप॑हूता अग्ने ज॒रसः॑ प॒रस्ता॑त् तृ॒तीये॒ नाके॑ सध॒मादं॑ मदेम
祭祀前行,心意广大——我以热力(tapas)登临其上,同源同座。阿耆尼(Agni)啊,既被召请,超越衰老之彼岸;愿我们在第三重天穹,于共同的宴席中欢悦。
Mantra 5
शु॒द्धाः पू॒ता यो॒षितो॑ य॒ज्ञिया॑ इ॒मा ब्र॒ह्मणां॒ हस्ते॑षु प्रपृ॒थक् सा॑दयामि । यत्का॑म इ॒दम॑भिषि॒ञ्चामि॑ वो॒ऽहमिन्द्रो॑ म॒रुत्वा॒न्त्स ददातु॒ तन्मे॑
这些妇女,纯净、洁除,堪为祭祀;我将她们分别安置在婆罗门们的手中。以我所怀之愿,我把此物洒洒于你们;愿因陀罗(Indra)偕同马鲁特(Marut)赐予我那同一愿望之成就。
It is used for prosperity and consecratory protection—especially in contexts resembling abhiṣeka—so that a stated desire is granted and auspicious fortune is stabilized through priestly mediation and right giving.
The ‘thread’ is a metaphor (and sometimes a ritual token) for continuity: the merit-path connected with the Fathers and sustained by dāna. It signals that giving creates a reliable passage toward svarga.
Indra ‘with the Maruts’ (Indra Marutvat) is explicitly asked to bestow the intended boon, making him the hymn’s decisive boon-granting power at the consecratory moment.
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