Brahma-jñāna
Knowledge of Brahman
देहेन्द्रियमनोबुद्धिप्राणाहङ्कारवर्जितं जाग्रत् सप्नसुषुप्त्यादिमुक्तं ब्रह्म तुरीयकं
dehendriyamanobuddhiprāṇāhaṅkāravarjitaṃ jāgrat sapnasuṣuptyādimuktaṃ brahma turīyakaṃ
被称为“第四”(Turīya)的梵(Brahman),离于身、根、意、智、命息(prāṇa)与我慢;并超越醒、梦与熟睡等诸状态。
Lord Agni (in the Agni Purana’s instructional discourse)
Vidya Category: {"primary_vidya":"Philosophy","secondary_vidya":"Samanya","practical_application":"Neti-neti contemplation: disidentify from body–mind–prāṇa–ahaṅkāra and from the three avasthās (waking/dream/deep sleep) to intuit Turīya.","sutra_style":true}
Encyclopedic Reference: {"reference_type":"Definition","entry_title":"Turīya Brahman—Beyond body-mind and the three states","lookup_keywords":["turīya","jāgrat-svapna-suṣupti","deha-indriya-manas-buddhi","prāṇa","ahaṅkāra"],"quick_summary":"Defines Brahman as Turīya, free from the constituents of embodied experience and transcending waking, dream, and deep sleep. Serves as a checklist for systematic disidentification in meditation."}
Alamkara Type: Vyatireka (definition by exclusion)
Concept: Turīya is not a state among states but the ever-present Brahman, untouched by body, senses, mind, intellect, prāṇa, and ego.
Application: During observation of waking/dream/sleep cycles, recognize the constant awareness-principle as distinct from changing contents; cultivate steadiness in that recognition.
Khanda Section: Vedanta / Moksha-shastra (Turiya-Brahma Lakshana)
Primary Rasa: Shanta
Secondary Rasa: Adbhuta
Visual Art Cues: {"scene_description":"A fourfold diagram: three bands labeled waking, dream, deep sleep, with a luminous center/sky representing Turīya; a yogin stands beyond the bands.","kerala_mural_prompt":"Kerala mural, symbolic composition with three horizontal panels (jāgrat/svapna/suṣupti) in muted colors and a radiant white-gold field above as Turīya; yogin silhouette in calm posture.","tanjore_prompt":"Tanjore, central Oṃ symbol with heavy gold halo; below it three small vignettes of waking/dream/sleep; ornate frame, devotional abstraction.","mysore_prompt":"Mysore painting, instructional mandala with labels in Devanagari, soft pastel washes, yogin pointing inward, emphasis on clarity and pedagogy.","mughal_miniature_prompt":"Mughal miniature, scholar-yogin in a study with a painted folio showing a four-part schema; delicate clouds for dream, dark wash for sleep, bright courtyard for waking, and pure light for Turīya."}
Audio Atmosphere: {"recitation_mood":"contemplative","suggested_raga":"Yaman","pace":"medium","voice_tone":"instructional"}
Sandhi Resolution Notes: देहेन्द्रियमनोबुद्धिप्राणाहङ्कारवर्जितम् = देह+इन्द्रिय+मनस्+बुद्धि+प्राण+अहङ्कार+वर्जितम्; सुषुप्त्यादिमुक्तम् = सुषुप्ति+आदि+मुक्तम्.
Related Themes: Agni Purana 377 (Samādhi and Brahman-lakṣaṇa verses); Agni Purana 378 (Brahma-jñāna chapter opening)
It imparts Vedāntic vidyā: the technical definition of Turīya-Brahman as that which transcends the psycho-physical apparatus (body, senses, mind, intellect, prāṇa, ego) and the three experiential states.
Alongside rituals, polity, medicine, and arts, the Agni Purana also preserves Upaniṣadic-style consciousness analysis—classifying waking/dream/deep sleep and pointing to Turīya—showing its scope as an encyclopedia of both practical and metaphysical knowledge.
By identifying the Self with Turīya rather than body-mind-ego and the three states, one weakens identification (ahaṅkāra), reduces bondage-producing karma, and orients practice toward liberation (mokṣa).