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Agni Purana — Yoga & Brahma-vidya, Shloka 11

Adhyāya 375 — समाधिः

Samādhi

अणिमादिगुणैश्वर्यः शिष्ये ज्ञानं प्रकाश्य च भुक्त्वा भोगान् यथेच्छातस्तनुन्त्यक्त्वालयात्ततः

aṇimādiguṇaiśvaryaḥ śiṣye jñānaṃ prakāśya ca bhuktvā bhogān yathecchātastanuntyaktvālayāttataḥ

具足以阿尼玛(aṇimā,微细)等为首之诸德神通的自在主宰者,能于弟子中显发智慧之光;并且随意受用诸乐之后,舍离此身,继而证入终极的融解(laya,归并)。

अणिमा-आदि-गुण-ऐश्वर्यःmastery/power of qualities like aṇimā
अणिमा-आदि-गुण-ऐश्वर्यः:
Karta (कर्ता)
TypeNoun
Rootअणिमा (प्रातिपदिक) + आदि (प्रातिपदिक) + गुण (प्रातिपदिक) + ऐश्वर्य (प्रातिपदिक)
Formपुल्लिङ्ग, प्रथमा (1st/प्रथमा), एकवचन; समासः—अणिमादिगुण (तत्पुरुष) + ऐश्वर्य (षष्ठी-तत्पुरुष: गुणानाम् ऐश्वर्यम्)
शिष्येin/for the disciple
शिष्ये:
Adhikarana (अधिकरण)
TypeNoun
Rootशिष्य (प्रातिपदिक)
Formपुल्लिङ्ग, सप्तमी (7th/सप्तमी), एकवचन
ज्ञानम्knowledge
ज्ञानम्:
Karma (कर्म)
TypeNoun
Rootज्ञान (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2nd/द्वितीया), एकवचन
प्रकाश्यhaving revealed
प्रकाश्य:
Purvakala-kriya (पूर्वकालक्रिया)
TypeVerb
Rootप्र√काश् (धातु)
Formक्त्वा-प्रत्ययान्त अव्ययभाव (gerund/absolutive); ‘having revealed’
and
:
Sambandha (सम्बन्ध/connector)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चय-अव्यय (conjunction)
भुक्त्वाhaving enjoyed
भुक्त्वा:
Purvakala-kriya (पूर्वकालक्रिया)
TypeVerb
Root√भुज् (धातु)
Formक्त्वा-प्रत्ययान्त अव्ययभाव (gerund/absolutive); ‘having enjoyed’
भोगान्enjoyments
भोगान्:
Karma (कर्म)
TypeNoun
Rootभोग (प्रातिपदिक)
Formपुल्लिङ्ग, द्वितीया (2nd/द्वितीया), बहुवचन
यथा-इच्छातःas desired/at will
यथा-इच्छातः:
Kriya-visheshana (क्रियाविशेषण)
TypeIndeclinable
Rootयथा (अव्यय) + इच्छा (प्रातिपदिक)
Formअव्ययीभाव-समास; अव्यय; अर्थः—यथेष्टम् (according to desire)
तनुम्body
तनुम्:
Karma (कर्म)
TypeNoun
Rootतनु (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया (2nd/द्वितीया), एकवचन
त्यक्त्वाhaving left/abandoned
त्यक्त्वा:
Purvakala-kriya (पूर्वकालक्रिया)
TypeVerb
Root√त्यज् (धातु)
Formक्त्वा-प्रत्ययान्त अव्ययभाव (gerund/absolutive); ‘having abandoned’
अलयात्should go/then goes
अलयात्:
Kriya (क्रिया)
TypeVerb
Rootआ√या (धातु)
Formविधिलिङ्/लोट्-प्राय (injunctive/optative sense), प्रथमपुरुष, एकवचन; परस्मैपद; पाठभेद-संभवः: ‘आयात्/अयात्’
ततःthen/thereafter
ततः:
Kriya-visheshana (क्रियाविशेषण)
TypeIndeclinable
Rootततः (अव्यय)
Formअव्यय; अपादान/काल-निर्देश (then/from there)

Lord Agni (narrating the doctrine in the Agni Purana)

Vidya Category: {"primary_vidya":"Philosophy","secondary_vidya":"Tantra","practical_application":"Maps a siddha’s arc: attainment of aṇimā-ādi aiśvarya, transmission of jñāna to a disciple, regulated enjoyment without bondage, and final tyāga of the body culminating in laya (absorption); useful for outlining guru-śiṣya pedagogy and the ideal of non-attached mastery.","sutra_style":false}

Encyclopedic Reference: {"reference_type":"Description","entry_title":"Aṇimā-ādi Siddhi, Jñāna-prakāśa to Śiṣya, and Deha-tyāga leading to Laya","lookup_keywords":["aṇimā","aiśvarya","guru-śiṣya","jñāna-prakāśa","laya"],"quick_summary":"The verse describes a perfected adept who possesses yogic powers, teaches liberating knowledge, remains free even amid chosen enjoyments, and finally relinquishes the body to attain ultimate absorption."}

Concept: Siddhis are subordinate to jñāna and liberation; the liberated can act/enjoy without bondage and depart by conscious deha-tyāga into laya.

Application: Prioritize teaching/realization over display of powers; cultivate non-attachment so that action and enjoyment do not rebind; keep the end-goal as dissolution in Brahman/Īśvara.

Khanda Section: Yoga-Siddhi and Jnana (Moksha-dharma / Yogic attainments)

Primary Rasa: shanta

Secondary Rasa: adbhuta

Visual Art Cues: {"scene_description":"A radiant yogin demonstrating subtle siddhi symbolism (miniature form near a lotus), teaching a seated disciple with a gesture of illumination; later, the yogin calmly leaves the body as light dissolves into vastness.","kerala_mural_prompt":"Kerala mural: yogin with serene face, disciple at feet; stylized aura expanding into a cosmic field; narrative panels showing teaching and final laya; traditional color blocks and lotus borders","tanjore_prompt":"Tanjore: central yogin with gold halo, right hand in jñāna-mudrā; disciple with manuscript; final scene suggested by a gold-embossed radiance merging into a dark-blue Brahmanic backdrop","mysore_prompt":"Mysore: didactic composition—guru instructing śiṣya; subtle iconographic cues for aṇimā (tiny figure motif) and laya (fading outline); fine lines, gentle gradients","mughal_miniature_prompt":"Mughal miniature: hermitage interior with guru teaching; second register shows the yogin’s body reclining as a luminous essence rises and merges into a painted sky; intricate foliage and textiles"}

Audio Atmosphere: {"recitation_mood":"epic","suggested_raga":"Shankarabharanam","pace":"medium","voice_tone":"contemplative"}

Sandhi Resolution Notes: अणिमादिगुणैश्वर्यः = अणिमा-आदि-गुण-ऐश्वर्यः; यथेच्छातः = यथा + इच्छातः (अव्ययीभाव); तनुन्त्यक्त्वा = तनुम् + त्यक्त्वा; अलयात्ततः = अलयात् + ततः (त्-त् संधि).

Related Themes: Agni Purana mokṣa-dharma/yoga sections discussing aṇimā-ādi siddhis and liberation (nearby adhyāyas)

A
Aṇimā (yogic siddhi)
Ś
Śiṣya (disciple)
J
Jñāna (spiritual knowledge)
L
Laya (absorption)

FAQs

It describes yogic-vidyā: mastery of aṇimā and related siddhis, the guru’s act of revealing jñāna to a disciple, and the yogin’s capacity to relinquish the body at will and enter laya (final absorption).

Alongside ritual, polity, and arts, the Agni Purana also catalogs yoga-śāstra topics—siddhis, knowledge transmission, and liberation—showing it as a compendium that integrates practical discipline (yoga) with soteriology (mokṣa).

The verse frames siddhis as subordinate to jñāna and liberation: the perfected yogin may enjoy without bondage (by mastery) and ultimately transcends embodiment through conscious renunciation, culminating in laya/mokṣa.