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Agni Purana — Yoga & Brahma-vidya, Shloka 33

Explanation of the Final Dissolution (Ātyantika Laya) and the Arising of Hiraṇyagarbha — Subtle Body, Post-Death Transit, Rebirth, and Embodied Constituents

कामक्रोधौ भयं हर्षो धर्माधर्मात्मता तथा आकृतिः स्वरवर्णौ तु मेहनाद्यं तथा च यत्

kāmakrodhau bhayaṃ harṣo dharmādharmātmatā tathā ākṛtiḥ svaravarṇau tu mehanādyaṃ tathā ca yat

欲(kāma)与嗔、惧与喜;趋向正法或非法之性情;形体、声音与肤色;以及小便等诸如此类——凡此种种征相,皆当了知并加以考察。

काम-क्रोधौdesire and anger
काम-क्रोधौ:
Karta (कर्ता/Subject)
TypeNoun
Rootकाम (प्रातिपदिक) + क्रोध (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, द्विवचन; इतरेतर-द्वन्द्व (desire and anger)
भयम्fear
भयम्:
Karta (कर्ता/Subject)
TypeNoun
Rootभय (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा-विभक्ति, एकवचन
हर्षःjoy
हर्षः:
Karta (कर्ता/Subject)
TypeNoun
Rootहर्ष (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन
धर्म-अधर्म-आत्मताthe nature of dharma and adharma
धर्म-अधर्म-आत्मता:
Karta (कर्ता/Subject)
TypeNoun
Rootधर्म (प्रातिपदिक) + अधर्म (प्रातिपदिक) + आत्मता (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा-विभक्ति, एकवचन; (धर्माधर्मयोः) आत्मता इति षष्ठी-तत्पुरुष (the state/nature of dharma and adharma)
तथाalso / likewise
तथा:
Sambandha (सम्बन्ध/क्रियाविशेषण)
TypeIndeclinable
Rootतथा (अव्यय)
Formप्रकारवाचक-अव्यय (adverb: thus/also)
आकृतिःshape / form
आकृतिः:
Karta (कर्ता/Subject)
TypeNoun
Rootआकृति (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा-विभक्ति, एकवचन
स्वर-वर्णौsound and color/phoneme
स्वर-वर्णौ:
Karta (कर्ता/Subject)
TypeNoun
Rootस्वर (प्रातिपदिक) + वर्ण (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, द्विवचन; इतरेतर-द्वन्द्व (sound and color/phoneme)
तुbut / indeed
तु:
Sambandha (सम्बन्ध/निपात)
TypeIndeclinable
Rootतु (अव्यय)
Formविरोध/विशेषण-अव्यय (particle: but/indeed)
मेहन-आद्यम्urination/urinary organ etc.
मेहन-आद्यम्:
Karta (कर्ता/Subject)
TypeNoun
Rootमेहन (प्रातिपदिक) + आदि (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा-विभक्ति, एकवचन; तत्पुरुष (X-etc.: beginning with urination/urinary organ)
तथाalso / likewise
तथा:
Sambandha (सम्बन्ध/क्रियाविशेषण)
TypeIndeclinable
Rootतथा (अव्यय)
Formप्रकारवाचक-अव्यय (adverb: likewise/also)
and
:
Sambandha (सम्बन्ध/समुच्चय)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चय-अव्यय (conjunction)
यत्whatever / that which
यत्:
Karta (कर्ता/Subject)
TypeNoun
Rootयद् (सर्वनाम-प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा-विभक्ति, एकवचन; सम्बन्धवाचक/अनिर्दिष्ट (relative pronoun: whatever/that which)

Lord Agni (narrating to sage Vasiṣṭha in the Agni Purana’s instructional frame)

Vidya Category: {"primary_vidya":"Ayurveda","secondary_vidya":"Samanya","practical_application":"Physiognomic and behavioral assessment: reading mental states (kāma, krodha, bhaya, harṣa), moral disposition, and physical markers (form, voice, complexion, urination) as diagnostic/character indicators.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"List","entry_title":"Samudrika/Śārīrika Lakṣaṇa—Bhāva, Ākṛti, Svara, Varṇa, Mala-pravṛtti","lookup_keywords":["samudrika","kama krodha","bhaya harsha","svara varna","mehana (urination)"],"quick_summary":"The verse enumerates examinable signs—emotions, ethical bent, bodily form, voice, complexion, and excretory patterns. These are used to infer constitution, mental state, and overall health/character."}

Dosha: Tridosha

Concept: Inner dispositions (dharma/adharma, emotions) manifest outwardly and are knowable through signs.

Application: Cultivate self-observation and ethical discipline; use outward signs as prompts for correcting conduct and regimen.

Khanda Section: Ayurveda / Samudrika-śāstra (Physiognomy and bodily signs)

Primary Rasa: shanta

Secondary Rasa: adbhuta

Visual Art Cues: {"scene_description":"A diagnostic scene: a learned examiner observes a person’s posture and face (emotion), listens to voice, notes complexion, and records urination/excretion signs—integrating mind, morality, and body markers.","kerala_mural_prompt":"Kerala mural: guru-like vaidya seated with palm-leaf manuscript, patient standing showing facial expressions (kāma/krodha/bhaya/harṣa) in four small side vignettes, voice shown as stylized sound lines, complexion indicated by color bands, traditional flat composition.","tanjore_prompt":"Tanjore: central figure of a physician-sage with gold halo, patient in profile, ornate border; small gold medallions depicting emotions and dharma/adharma scales; rich colors and gold work.","mysore_prompt":"Mysore painting: instructional panel with labeled icons—ākṛti (body outline), svara (speech scroll), varṇa (color swatches), mehana (urination pot symbol), plus emotion faces; neat annotations in Sanskrit.","mughal_miniature_prompt":"Mughal miniature: court physician taking notes while observing a subject’s demeanor, attendant holding a urine flask (mūtra-parīkṣā motif), refined interior, delicate expressions and textiles."}

Audio Atmosphere: {"recitation_mood":"instructional","suggested_raga":"Khamaj","pace":"medium","voice_tone":"instructional"}

Sandhi Resolution Notes: धर्माधर्मात्मता = धर्म + अधर्म + आत्मता; स्वरवर्णौ = स्वर + वर्णौ (समास); मेहनाद्यम् = मेहन + आद्यम्

Related Themes: Agni Purana 368 (śārīra and lakṣaṇa topics); Agni Purana sections on dharma/ācāra (general)

A
Agni Purana
D
Dharma
A
Adharma

FAQs

It lists diagnostic indicators—emotions, moral disposition, bodily build, voice, complexion, and urinary signs—used for assessing a person’s nature and condition (a lakṣaṇa/diagnostic framework aligned with Ayurvedic-style observation).

By treating practical human assessment (psychology, ethics, and bodily diagnostics) alongside religious material, it shows the text’s wide scope—integrating health-related observation and character-evaluation into a Purāṇic compendium.

It underscores discernment (viveka): recognizing dharmic or adharmic tendencies and regulating passions like desire and anger supports ethical conduct, which is central to karmic purification and righteous living.