Adhyaya 333
Samavṛtta-nirūpaṇa — Definition of Samavṛtta (Equal-syllabled Metres)
火神阿耆尼由 ardhasama 韵式转入 samavṛtta（等音节格律），说明如何凭 yati（停顿/顿挫）、viccheda（格律断分）以及对中位与末位 gaṇa 的辨识，来判定等音节结构。本章如同一部技术目录：列举众多 vṛtta 名目，并配以 gaṇa 序列、助记分组，偶亦提示其安置与分类（更高层分组、upajāti 类型等）。又援引 Piṅgala 传统，提及旧说与系统划分，终以 gāthā-prastāra 及其排列组合、列表推演之理作结。总体而言，阿耆尼将韵律学立为严整的“声—形”之学：熟习 gaṇa 格式，学者便能精确守护诗与仪式之言，维系法（dharma）的传承，并成就精雅的文学表达。
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Frequently Asked Questions
Identification of samavṛtta metres through gaṇa-sequences and structural markers such as yati (pause) and viccheda (metrical division), alongside named vṛttas and upajāti variants.
Correct prosody safeguards mantra and śāstric recitation; disciplined sound-structure becomes a dharmic practice that supports both accurate transmission and inward steadiness (sādhana through precision).