Shiva’s Wedding Procession to Kailasa and the Marriage of Girija (Kali)
ते ऽप्याजग्मुर्महावेगात् त्वाक्रम्य मरुदालयम् आसाद्य मन्दरगिरिं भूयो ऽवन्दन्त शङ्करम्
te 'pyājagmurmahāvegāt tvākramya marudālayam āsādya mandaragiriṃ bhūyo 'vandanta śaṅkaram
Họ cũng lên đường với tốc lực lớn, vượt qua miền cư trú của các Marut; và khi đến núi Mandara, họ lại một lần nữa đảnh lễ Śaṅkara (Śiva).
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Devotion is shown as continuous rather than one-time: even after travel and transitions, returning to worship (‘bhūyaḥ’) models steadiness (niṣṭhā) and gratitude.
Primarily Vamśānucarita / narrative itinerary—events and movements of characters; secondarily contributes to tīrtha-mahātmya-style texture by naming a sacred mountain.
Crossing ‘Marudālaya’ suggests passage through celestial/elemental domains; reaching Mandara and bowing again indicates the axis-mountain motif where divine presence is re-encountered and reaffirmed through worship.