Prahlada’s Defeat by Nara-Narayana and Victory through Bhakti
तयोश्च पार्श्वयोर्दिव्ये धनुषी लक्षणान्विते शार्ङ्गमागवं चैव अक्ष्य्यौ च महेषुधी
tayośca pārśvayordivye dhanuṣī lakṣaṇānvite śārṅgamāgavaṃ caiva akṣyyau ca maheṣudhī
Bên cạnh hai vị ấy có hai cây cung thần mang các tướng lành—Śārṅga và Āgava—và còn có hai ống tên lớn không bao giờ cạn.
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External appearance (e.g., ascetic guise) can conceal true potency; discernment comes from recognizing dharmic signs and divine attributes rather than judging by dress alone.
Primarily Vamśānucarita/Carita-type narration (episode-based account of divine/daitya interactions), rather than cosmogenesis; it supports the ongoing narrative of divine intervention in moral order.
Śārṅga functions as a signature of Viṣṇu’s preserving power; the presence of a second renowned bow alongside it can be read as a literary gesture toward complementary divine forces, a common Purāṇic strategy to imply harmony among sectarian symbols.